<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-5662982887371686287</id><updated>2011-07-30T11:18:52.214-07:00</updated><category term='-'/><title type='text'>Energy Flash Discography &amp; Bibliography</title><subtitle type='html'>THE DISCOGRAPHY AND BIBLIOGRAPHY OF THE 1998 EDITION OF ENERGY FLASH: A JOURNEY THROUGH RAVE MUSIC AND DANCE CULTURE (A.K.A. GENERATION ECSTASY), LEFT OUT OF THE UPDATED/EXPANDED 10TH ANNIVERSARY EDITION OF ENERGY FLASH OF 2008</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://energyflashdiscogbibliog.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5662982887371686287/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://energyflashdiscogbibliog.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>SIMON REYNOLDS</name><uri>http://www.blogger.com/profile/01282478701882900354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-5662982887371686287.post-7742393392807905929</id><published>2008-02-22T09:04:00.000-08:00</published><updated>2010-05-10T09:55:12.081-07:00</updated><title type='text'></title><content type='html'>&lt;strong&gt;BIBLIOGRAPHY TO ENERGY FLASH a.k.a. GENERATION ECSTASY&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;For space reasons the bibliography has been left out of the updated/expanded 2008 edition of &lt;strong&gt;Energy Flash&lt;/strong&gt;. For those who feel the absence here it is, with the addition of a section at the end on significant and useful books and articles on rave/techno/electronic music that have been published in the ten years since &lt;strong&gt;Energy Flash/Generation Ecstasy&lt;/strong&gt; first came out. This is a work in progress and will be added to regularly. Suggestions for books, magazine articles, and online work/resources/etc are welcomed.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ADORNO, THEODOR W.&lt;br /&gt;"On The Fetish-Character in Music and the Regression of  Listening". In Arato, E &amp; E. Gebhardt eds. &lt;em&gt;The Essential Frankfurt  School  Reader&lt;/em&gt;. Oxford: Basil Blackwell, 1978.&lt;br /&gt;"Perennial Fashion--Jazz". In &lt;em&gt;Prisms&lt;/em&gt;, trans. Samuel Weber and Shierry Weber.  Cambridge, Mass: MIT Press, 1981.&lt;br /&gt;&lt;br /&gt;ATTALI, JACQUES. &lt;br /&gt;&lt;em&gt;Noise: The Political Economy of Music&lt;/em&gt;. Trans. Brian Massumi.  Manchester: Manchester University Press, 1985.&lt;br /&gt;&lt;br /&gt;BEADLE, JEREMY J. &lt;br /&gt;&lt;em&gt;Will Pop Eat Itself?--Pop Music In The Soundbite Era&lt;/em&gt;. London:  Faber &amp; Faber, 1993.&lt;br /&gt;&lt;br /&gt;BECK, JEROME and MARSHA RONSENBAUM. &lt;br /&gt;&lt;em&gt;Pursuit of Ecstasy: The MDMA  Experience.&lt;/em&gt; State University of New York Press, 1994.&lt;br /&gt;&lt;br /&gt;BENNEY, PAUL. &lt;br /&gt;Jeff Mills interview. &lt;em&gt;Jockey Slut&lt;/em&gt;, June/July 1996.&lt;br /&gt;&lt;br /&gt;BETTELHEIM, BRUNO. &lt;br /&gt;&lt;em&gt;The Empty Fortress: Infantile Autism and the Birth of Self&lt;/em&gt;.  New York: The Free Press, 1967.&lt;br /&gt;&lt;br /&gt;BEY, HAKIM. &lt;br /&gt;&lt;em&gt;T.A.Z.: The Temporary Autonomous Zone, Ontological Anarchy, Poetic  Terrorism&lt;/em&gt;. Brooklyn, New York: Autonomedia, 1991.&lt;br /&gt;&lt;br /&gt;BLOOM, HAROLD. &lt;br /&gt;&lt;em&gt;Omens of Millenium: The Gnosis of Angels, Dreams, and  Resurrection&lt;/em&gt;. New York: Riverhead, 1996.&lt;br /&gt;&lt;br /&gt;BOWIE, MALCOLM. &lt;br /&gt;&lt;em&gt;Lacan&lt;/em&gt;. Cambridge, Massachusetts: Harvard University Press,  1991&lt;br /&gt;&lt;br /&gt;BROUGHTON, FRANK. &lt;br /&gt;"Chicago: Still Rockin' Down The House". &lt;em&gt;iD&lt;/em&gt;, April 1995.&lt;br /&gt;&lt;br /&gt;BUFORD, BILL. &lt;br /&gt;&lt;em&gt;Among The Thugs&lt;/em&gt;. New York: W.W. Norton &amp; Company Inc, 1992. &lt;br /&gt;&lt;br /&gt;BUKATMAN, SCOTT.&lt;br /&gt;&lt;em&gt;Terminal Identity: The Virtual Subject In Postmodern Science  Fiction&lt;/em&gt;. Durham, North Carolina and London: Duke University Press, 1993.&lt;br /&gt;"The Artificial Infinite". In Cooke, Lynne and Peter Wollen ed. &lt;em&gt;Visual Display:   Culture Beyond Appearances&lt;/em&gt;. Seattle: Bay Press, 1995.&lt;br /&gt;&lt;br /&gt;CHAMPION, SARAH&lt;br /&gt;ed. &lt;em&gt;Disco Biscuits&lt;/em&gt;. London: Sceptre/Hodder &amp; Stoughton. 1997.&lt;br /&gt;&lt;br /&gt;COLE, BETHAN.&lt;br /&gt;"Trance Tripping" [Goa trance]. In &lt;em&gt;iD&lt;/em&gt;, The Real Issue, 1996.&lt;br /&gt;&lt;br /&gt;COLLIN, MATTHEW, with  JOHN GODFREY.&lt;br /&gt;&lt;em&gt;Altered State: The Story of Ecstasy  Culture and Acid House&lt;/em&gt;. London: Serpent's Tail, 1997.&lt;br /&gt;&lt;br /&gt;CUTLER, CHRIS. &lt;br /&gt;"Plunderphonics". In &lt;em&gt;Musicworks/60&lt;/em&gt;, Fall 1994.&lt;br /&gt;&lt;br /&gt;DELEUZE, GILLES, and FELIX GUATTARI. &lt;br /&gt;A&lt;em&gt; Thousand Plateaus: Capitalism and  Schizophrenia&lt;/em&gt;. Trans. Brian Massumi. Minneapolis: University of Minnesota  Press, 1987. &lt;br /&gt;&lt;br /&gt;ECHLIN, HOBEY. &lt;br /&gt;"The History of Detroit Techno Part One" and "Part Two". In &lt;em&gt;Detroit  Metro Times&lt;/em&gt;, May 17-23 and May 24-30, 1995.&lt;br /&gt;&lt;br /&gt;EISENBERG, EVAN. &lt;br /&gt;&lt;em&gt;The Recording Angel: Music, Records and Culture From Aristotle  to Zappa&lt;/em&gt;. London: Picador, 1988.&lt;br /&gt;&lt;br /&gt;ENO, BRIAN. &lt;br /&gt;Dialogue with Kevin Kelly, in &lt;em&gt;Wired&lt;/em&gt;, May 1995.&lt;br /&gt;&lt;br /&gt;ESHUN, KODWO. &lt;br /&gt;Carl Craig profile. &lt;em&gt;iD&lt;/em&gt;, April 1995. &lt;br /&gt;&lt;br /&gt;FRITH, SIMON. &lt;br /&gt;&lt;em&gt;Performing Rites: On the Value of Popular Music&lt;/em&gt;. Cambridge,  Massachusetts: Harvard University Press, 1996.&lt;br /&gt;&lt;br /&gt;GIBSON, WILLIAM. &lt;br /&gt;&lt;em&gt;Neuromancer&lt;/em&gt;. New York: Ace, 1984.&lt;br /&gt;&lt;br /&gt;GILROY, PAUL. &lt;br /&gt;&lt;em&gt;The Black Atlantic: Modernity and Double Consciousness&lt;/em&gt;. Cambridge,  Massachusetts: Harvard University Press, 1993.&lt;br /&gt;&lt;br /&gt;GODFREY, JOHN. &lt;br /&gt;"The Amnesiacs/Happy Daze Are Here Again". [Balearic and Acid  House]. In &lt;em&gt;iD&lt;/em&gt;, The Body Issue, 1988.&lt;br /&gt;&lt;br /&gt;GOODWIN, ANDREW. &lt;br /&gt;"Rationalisation and Democratisation in the New Technologies  of Popular Music". In Lull, James, ed. &lt;em&gt;Popular Music and Communication&lt;/em&gt;. Sage  1992.&lt;br /&gt;&lt;br /&gt;GRACYK, THEODORE. &lt;br /&gt;&lt;em&gt;Rhythm And Noise: An Aesthetics of Rock&lt;/em&gt;. Durham, North  Carolina: Duke University Press, 1996&lt;br /&gt;&lt;br /&gt;GRAY, CHRIS HABLES &lt;br /&gt;ed. &lt;em&gt;The Cyborg Handbook&lt;/em&gt;. New York and London:  Routledge, 1995.&lt;br /&gt;&lt;br /&gt;GREENFELD, KARL TARO. &lt;br /&gt;&lt;em&gt;Speed Tribes: Days and Nights With Japan's Next  Generation&lt;/em&gt;. New York: HarperCollins, 1994.&lt;br /&gt;&lt;br /&gt;GRINSPOON, LESTER, and PETER HEDBLOM. &lt;br /&gt;&lt;em&gt;The Speed Culture: Amphetamine  Use and Abuse in America&lt;/em&gt;. Cambridge, Massachusetts: Harvard University Press,  1975.&lt;br /&gt;&lt;br /&gt;GROSSBERG, LAWRENCE. &lt;br /&gt;&lt;em&gt;We Gotta Get Out Of This Place: Popular Conservatism  and Postmodern Culture&lt;/em&gt;. London: Routledge, 1992.&lt;br /&gt;&lt;br /&gt;GUATTARI, FELIX. &lt;br /&gt;"Millions and Millions of Potential Alices". In Guattari, Felix.  &lt;em&gt;Molecular Revolution: Psychiatry and Politics&lt;/em&gt;. trans. Rosemary Sheed. London:  Penguin, 1984.&lt;br /&gt;&lt;br /&gt;HEBDIGE, DICK. &lt;br /&gt;&lt;em&gt;Cut 'n' Mix: Culture, Identity and Caribbean Music&lt;/em&gt;. London:  Comedia, 1987. &lt;br /&gt;&lt;br /&gt;HENRY, STUART and MIKE VON JOEL. &lt;br /&gt;&lt;em&gt;Pirate Radio: Then and Now&lt;/em&gt;. Poole,  Dorset: Blandford Press, 1984.&lt;br /&gt;&lt;br /&gt;HILLS, GAVIN. &lt;br /&gt;"Wonderland U.K." [Drug excess/ennui] in &lt;em&gt;The Face&lt;/em&gt;, January 1993.&lt;br /&gt;&lt;br /&gt;HUGHES, WALTER. &lt;br /&gt;"Feeling Mighty Real: Disco as Discourse and Discipline". In  &lt;em&gt;Village Voice Rock &amp; Roll Quarterly&lt;/em&gt;, Summer 1993.&lt;br /&gt;&lt;br /&gt;JAMES, WILLIAM. &lt;br /&gt;&lt;em&gt;The Varieties of Religious Experience&lt;/em&gt;. New York: Mentor, 1958.&lt;br /&gt;"Subjective Effects Of Nitrous Oxide". In Mind, Vol. 7, 1882, pp. 186-208.  Reprinted in Tart, Charles T. ed, Altered States of Consciousness. New York:  HarperCollins, 1990.&lt;br /&gt;&lt;br /&gt;KEIL, CHARLES, AND STEVEN FELD. &lt;br /&gt;&lt;em&gt;Music Grooves&lt;/em&gt;. Chicago: University of  Chicago Press, 1994. &lt;br /&gt;&lt;br /&gt;KEMPSTER, CHRIS &lt;br /&gt;ed. &lt;em&gt;History of House&lt;/em&gt;. London: Sanctuary, 1996.&lt;br /&gt;&lt;br /&gt;KENT, NICK. &lt;br /&gt;"The Mancunian Candidates: Happy Mondays and Stone Roses". In Kent, Nick. &lt;em&gt;The Dark Stuff&lt;/em&gt;. London: Penguin, 1994.&lt;br /&gt;&lt;br /&gt;KROKER, ARTHUR. &lt;br /&gt;&lt;em&gt;The Possessed Individual: Technology and the French  Postmodern&lt;/em&gt;. New York: St. Martin's Press, 1992 &lt;br /&gt;&lt;em&gt;Spasm: Virtual Reality, Android Music and Electric Flesh&lt;/em&gt;. New York: St.  Martin's Press, 1993 &lt;br /&gt;&lt;br /&gt;KROKER, ARTHUR, and MICHAEL A. WEINSTEIN. &lt;br /&gt;&lt;em&gt;Data Trash: The Theory of  the Virtual  Class.&lt;/em&gt; New York: St. Martin's Press, 1994. &lt;br /&gt;&lt;br /&gt;LUDLOW, FITZ HUGH. &lt;br /&gt;"The Hasheesh Eater: being passages from The Life of a  Pythagorean". Extract reprinted in Strausbaugh, John and Donald Blaise ed. &lt;em&gt;The  Drug User: Documents 1840-1960&lt;/em&gt;. New York: Blast Books Inc, 1991.&lt;br /&gt;&lt;br /&gt;MARSHALL, JULES. &lt;br /&gt;"Harder Than Hardcore" [Gabba]. In &lt;em&gt;iD&lt;/em&gt;, The Europe Issue, 1993.&lt;br /&gt;&lt;br /&gt;MCKAY, GEORGE. &lt;br /&gt;&lt;em&gt;Senseless Acts of Beauty: Cultures of Resistance Since the Sixties&lt;/em&gt;.  London: Verso, 1990&lt;br /&gt;&lt;br /&gt;MCKENNA, TERENCE.&lt;br /&gt;&lt;em&gt;Food Of The Gods: The Search For The Original Tree of  Knowledge. A Radical History of Planets, Drugs and Human Evolution&lt;/em&gt;. New  York: Bantam, 1992.&lt;br /&gt;&lt;br /&gt;MELECHI, ANTONIO. &lt;br /&gt;"The Ecstasy of Disappearance". In Redhead, Steve, ed. &lt;em&gt;Rave  Off&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;METCALFE, STUART. &lt;br /&gt;"Ecstasy Evangelists and Psychedelic Warriors". In Melechi,  Antonio, ed. &lt;em&gt;Psychedelica Britannica: Hallucinogenic Drugs In Britain&lt;/em&gt;. London:  Turnaround, 1997.&lt;br /&gt;&lt;br /&gt;METRAUX, ALDRED. &lt;br /&gt;&lt;em&gt;Voodoo In Haiti&lt;/em&gt;. Oxford: Oxford University Press, 1959. In &lt;br /&gt;&lt;br /&gt;MILLER, PAUL D. &lt;br /&gt;"Yet Do I Wonder". &lt;em&gt;Village Voice&lt;/em&gt;, February 8th, 1994.&lt;br /&gt;&lt;br /&gt;MOORE, JOHN. &lt;br /&gt;&lt;em&gt;Anarchy &amp; Ecstasy: Visions of Halcyon Days&lt;/em&gt;. London: Aporia Press,  1988&lt;br /&gt;&lt;br /&gt;NEWCOMBE, DR RUSSELL. &lt;br /&gt;"Raving and Dance Drugs: House Music Clubs and  Parties in North-West England". Liverpool: Rave Research Bureau paper, 1991.&lt;br /&gt;&lt;br /&gt;O'HAGAN, ANDREW. &lt;br /&gt;"Passing Poison" in &lt;em&gt;Observer Life magazine&lt;/em&gt;, 9th October 1994.&lt;br /&gt;Reprinted in Kureishi, Hanif and Jon Savage ed. &lt;em&gt;The Faber Book of Pop&lt;/em&gt;. London:  Faber  &amp; Faber, 1995.&lt;br /&gt;&lt;br /&gt;OWEN, FRANK. &lt;br /&gt;"Feel The Noise-- Techno Kids: The Working-Class Avant-Garde"  [New York hardcore]. &lt;em&gt;Village Voice&lt;/em&gt;, September 24, 1991.&lt;br /&gt;"Paradise Lost" [Paradise Garage/Larry Levan]. In &lt;em&gt;Vibe&lt;/em&gt;, 1993.&lt;br /&gt;"The King of Ecstasy" [Lord Michael]. &lt;em&gt;Village Voice&lt;/em&gt;, April 1, 1997. &lt;br /&gt;&lt;br /&gt;PENMAN, IAN. &lt;br /&gt;"Black Secret Tricknology" [Tricky]. &lt;em&gt;The Wire&lt;/em&gt;, March 1995.&lt;br /&gt;&lt;br /&gt;PRINCE, DAVID. &lt;br /&gt;Interview with Brian Eno, in &lt;em&gt;Request&lt;/em&gt;, November 1995.&lt;br /&gt;&lt;br /&gt;PRINCE, DAVID, and MATT ADELL. &lt;br /&gt;Interview with Terence McKenna. &lt;em&gt;Reactor&lt;/em&gt;, March  1993.&lt;br /&gt;&lt;br /&gt;ROSE, TRICIA. &lt;br /&gt;&lt;em&gt;Black Noise: Rap Music and Black Culture in Contemporary America&lt;/em&gt;.  Hanover, New Hampshire: University Press of New England, 1994.&lt;br /&gt;&lt;br /&gt;REDHEAD, STEVE. &lt;br /&gt;&lt;em&gt;Football With Attitude&lt;/em&gt;. Manchester: Wordsmith, 1991.&lt;br /&gt;ed. &lt;em&gt;Rave Off: Politics and Deviance in Contemporary Youth Culture&lt;/em&gt;. Aldershot,  Hampshire: Avebury, 1993.&lt;br /&gt;&lt;br /&gt;RIETVELD, HILLEGONDA. &lt;br /&gt;"Living The Dream".In Redhead, Steve, ed. &lt;em&gt;Rave Off&lt;/em&gt;.&lt;br /&gt;"The House Sound of Chicago". Working Papers In Popular Cultural Studies  No. 8. Manchester: Manchester Institute For Popular Culture, 1993.&lt;br /&gt;&lt;br /&gt;RUSHKOFF, DOUGLAS. &lt;br /&gt;&lt;em&gt;Cyberia: Life in the Trenches of Hyperspace&lt;/em&gt;. HarperCollins,  1994.&lt;br /&gt;&lt;br /&gt;SAUNDERS, NICHOLAS. &lt;br /&gt;&lt;em&gt;E For Ecstasy&lt;/em&gt;. London: Nicholas Saunders, 1993&lt;br /&gt;&lt;em&gt;Ecstasy and The Dance Culture&lt;/em&gt;. London: Nicholas Saunders, 1995.&lt;br /&gt;&lt;br /&gt;SCHAFER, R. MURRAY. &lt;br /&gt;&lt;em&gt;The Soundscape: Our Sonic Environment and the Tuning of  the World&lt;/em&gt;. Rochester, Vermont: Destiny Books, 1994.&lt;br /&gt;&lt;br /&gt;SHAPIRO, HARRY. &lt;br /&gt;&lt;em&gt;Waiting For The Man. The Story of Drugs and Popular Music&lt;/em&gt;. New York: William Morrow and Company, Inc., 1988&lt;br /&gt;&lt;br /&gt;SHAPIRO, PETER and RACHAEL PHILIPPS. &lt;br /&gt;"Something For The Blunted"   [Coldcut and Ninjatune]. &lt;em&gt;The Wire&lt;/em&gt;, May 1996.&lt;br /&gt;&lt;br /&gt;SICKO, DAN. &lt;br /&gt;"Techno Rebels: Detroit's Agents of Change". In &lt;em&gt;Urb&lt;/em&gt; no. 50,  August/September 1996.&lt;br /&gt;&lt;br /&gt;SILVERMAN, KAJA. &lt;br /&gt;&lt;em&gt;The Acoustic Mirror: The Female Voice in Psychoanalysis and  Cinema&lt;/em&gt;. Bloomington and Indianopolis: Indiana University Press, 1988.&lt;br /&gt;&lt;br /&gt;SMITH, RICHARD. &lt;br /&gt;"Us Boys Together Clinging: One Night in a Gay Club" in Smith,  Richard. &lt;em&gt;Seduced and Abandoned: Essays on Gay Men and Popular Music&lt;/em&gt;. London: Cassell, 1995.&lt;br /&gt;&lt;br /&gt;SONTAG, SUSAN. &lt;br /&gt;"The Basic Unit of Contemporary Art Is Not The Idea, But The  Analysis of and Extension of Sensations". In Stearn, Gerald Emanuel ed.  &lt;em&gt;McLuhan: Hot &amp; Cool&lt;/em&gt;. New York: Signet, 1969.&lt;br /&gt;&lt;br /&gt;STRAW, WILL. &lt;br /&gt;"The Booth, The Floor and The Wall: Dance Music and the Fear of  Falling". In &lt;em&gt;Public&lt;/em&gt;, No. 8, 1993.&lt;br /&gt;&lt;br /&gt;THEBERGE, PAUL. &lt;br /&gt;&lt;em&gt;Any Sound You Can Imagine: Making Music/Consuming  Technology&lt;/em&gt;. Hanover, New Hampshire: University Press of New England, 1997.&lt;br /&gt;&lt;br /&gt;THORNTON, SARAH. &lt;br /&gt;&lt;em&gt;Club Cultures: Music, Media and Subcultural Capital&lt;/em&gt;. Hanover,  New Hampshire: Weslyan University Press, 1996.&lt;br /&gt;&lt;br /&gt;TOFFLER, ALVIN. &lt;br /&gt;&lt;em&gt;Future Shock&lt;/em&gt;. New York: Random House, 1970. &lt;br /&gt;&lt;em&gt;The Third Wave&lt;/em&gt;. New York: Bantam, 1981. &lt;br /&gt;&lt;br /&gt;TOOP, DAVID. &lt;br /&gt;&lt;em&gt;Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds&lt;/em&gt;. London: Serpent's Tail, 1995.&lt;br /&gt;"Behind The Groove". [Early Eighties New York DJ's] In Collusion, September  1983. Reprinted in &lt;em&gt;DJ&lt;/em&gt;, March 11, 1994&lt;br /&gt;Giorgio Moroder interview. &lt;em&gt;The Wire&lt;/em&gt;, April 1992. &lt;br /&gt;&lt;br /&gt;VIRILIO, PAUL. &lt;br /&gt;&lt;em&gt;Aesthetics of Disappearance&lt;/em&gt;. New York: Semiotext(e), 1991.&lt;br /&gt;&lt;br /&gt;VIRILO, PAUL, and SYLVERE LOTRINGER. &lt;br /&gt;&lt;em&gt;Pure War&lt;/em&gt;. New York: Semiotext(e), 1983.&lt;br /&gt;&lt;br /&gt;WELSH, IRVINE. &lt;br /&gt;&lt;em&gt;The Acid House&lt;/em&gt;. London: Jonathan Cape, 1994 and New York: Norton, 1995. &lt;br /&gt;&lt;em&gt;Marabou Stork Nightmares&lt;/em&gt;. New York: Norton, 1996. &lt;br /&gt;&lt;br /&gt;WILLIAMS, DONNA. &lt;br /&gt;&lt;em&gt;Nobody Nowhere: The Extraordinary Autobiography of an  Autistic&lt;/em&gt;. London: Doubleday, 1992, and New York: Times Books, 1992.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;^^^^^^^&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;A SELECTION OF BOOKS AND ARTICLES PUBLISHED AFTER &lt;em&gt;ENERGY FLASH&lt;/em&gt;'S ORIGINAL RELEASE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1/ BOOKS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Mireille Scott, &lt;em&gt;Rave America: Inside Club Culture &lt;/em&gt;(ECW Press, 2000)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Entertaining and well-researched history of rave culture in North America. Journalistic rather than theoretical/critical, it does for the New World what Matthew Collin's &lt;em&gt;Altered State&lt;/em&gt; did for Blighty. The  'North America,' as opposed to USA, is a crucial distinction, as one of the best chapters is on the nuttily Anglophile scene in Toronto, long this continent's bastion of all things ardkore and jungalistic. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tim Lawrence, &lt;em&gt;Love Saves the Day: A History of American Dance Music Culture, 1970-1979&lt;/em&gt; (Durham, North Carolina: Duke University Press, October 2003)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Fascinating and highly detailed history of the 1970s disco underground-- house music's prehistory, in other words. Look out also for Lawrence's forthcoming critical biography of Arthur Russell. &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Peter Shapiro, &lt;em&gt;Turn the Beat Around: The Secret History of Disco &lt;/em&gt;(London: Faber &amp; Faber, 2006)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A good complement to Lawrence's scholarly and New York-centric book, with which it overlaps somewhat, Shapiro's chronicle is broader-ranging both geographically and timespan-wise (e.g. fascinating stuff on the early 80s Northern Italy 'cosmic' scene) and is also more vividly written while being no less authoritative and trainspotter-friendly in terms of esoteric facts. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bill Brewster and Frank Broughton, &lt;em&gt;Last Night a DJ Saved My Life: The History of the Disc Jockey&lt;/em&gt; (New York: Grove, 2000; revised 2006)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;B&amp;B are house bods, so you don't get much on rave or indeed techno in this volume (it's like &lt;em&gt;Energy Flash&lt;/em&gt; inverted, in fact). But this a knowledgeable, entertaining and &lt;em&gt;affable&lt;/em&gt; history of the disco-house continuum, particularly strong on club culture &lt;em&gt;before&lt;/em&gt; Ibiza-acieeed-XTC.(Exhaustively strong, with a long collection of famous DJ fave track playlists from various legendary NYC clubs of the 70s and early 80s).   Brewster &amp; Broughton also wrote a useful manual on the craft of deejaying, &lt;em&gt;How to DJ Right: The Art and Science of Playing Records &lt;/em&gt;(Grove, 2003), if this had come out before we had kids I might even have taken the plunge and bought a second Technics…&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dave Haslam, Adventures on the Wheels of Steel: The Rise of the Superstar DJs (London: Harper UK  2002) &lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Useful book about the rise to hegemony of deejays in UK pop culture by Hacienda deejay and author (see also his &lt;em&gt;Manchester, England &lt;/em&gt;history which naturally covers Madchester and baggy with an insider's perspective)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Peter Shapiro (editor) &lt;em&gt;Modulations: A History of Electronic Music: Throbbing Words on Sound&lt;/em&gt;. (New York: Caipirinha Productions/D.A.P, 2000.)&lt;/strong&gt;&lt;br /&gt;Spanning the genrescape from musique concrete to trip hop and all points in between, an attractively designed compendium of essays by David Toop, Kodwo Eshun (a particularly good one, on house music), Rob Young, Tony Marcus, Kurt Reighley, Mike Rubin, Chris Sharp, yours truly (on Krautrock), and editor Peter Shapiro.  "Throbbing" might be a bit strong but a jolly good read nonetheless. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jeremy Gilbert and Ewan Pearson,&lt;em&gt;Discographies: Dance Music Culture and the Politics of Sound&lt;/em&gt; (London: Routledge, 1999)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The best academic treatment of techno and rave culture I've come across--wide-ranging, theoretically probing, and lively and approachable in style. Pearson incidentally went on to prove equally adept at praxis as theory, becoming a well-respected deejay and remixer and in 2007 released his very fine contribution to Fabric's series of dj mix-CDs (&lt;em&gt;Fabric 35&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Michel Gaillot, Multiple &lt;em&gt;Meaning: Techno: An Artistic and Political Laboratory of the Present &lt;/em&gt;(Editions Dis Voir).&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Thought-provoking and elegantly written… &lt;em&gt;monograph&lt;/em&gt;, I think you'd have to say (121 pages)by philosopher and art critic Gaillot, whose basic argument, crudely simplified, is that rave culture is not apolitical so much as pre-political, a reversion to primordial forms of sociality that only works because people check their ideologies at the door along with their coats.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Kodwo Eshun, &lt;em&gt;More Brilliant Than The Sun: Adventures in Sonic Fiction &lt;/em&gt;(Quartet, 1997). &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Named after the sample in Origin Unknown's "Valley of the Shadows" aka "Long Dark Tunnel"!!! I have plenty of disagreements with Eshun's stance (see &lt;a href="http://bringthenoisesimonreynolds.blogspot.com/2008/01/bring-noise-deleted-scene-45-kodwo.html"&gt;reviews here&lt;/a&gt; -- and I do think it's problematic that he never defines the "blackness", even the "post-essentialist blackness", that flickers in and out of the argument like a sort of spectral-rhetorical presence that conjures a vague counter-hegemonic edginess). But there's no denying that this is a supremely potent countervision to the sociohistorical approach nearly everybody else takes, mashing down all opposition less through argument than through the delirial intensity of the prose. &lt;em&gt;Strong&lt;/em&gt; stuff. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Some of the most provocative and intoxciating work in a post-K.Eshun vein was done by the &lt;strong&gt;Cybernetic Culture Research Unit&lt;/strong&gt;, aka &lt;strong&gt;CCRU&lt;/strong&gt;, who aimed to do for crit theory what breakbeat science did for rhythm. Deleuze goes darkside, their uncontrollable textual spew--monographs, pamphlets, essays, prose poems, fictions--are probably impossible to get hold of in hard-copy form, but check out the &lt;a href="http://www.ccru.net/"&gt;CCRU website&lt;/a&gt; and the cluster of sites connected from it. In fact &lt;a href="http://www.ccru.net/abcult.htm "&gt;go here &lt;/a&gt;for the digital versions of pieces in their &lt;em&gt;Abstract Culture&lt;/em&gt; journal series.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;O[rphan] D[frift&gt;], &lt;em&gt;Cyberpositive&lt;/em&gt;&lt;/strong&gt;. &lt;br /&gt;&lt;br /&gt;Self-published book of prose-poetical theory-delirium exploring intermeshcape between cyberpunk and technokulture, sampling heavily from appropriate philosophers and allies like Sadie Plant and Nick Land (of CCRU fame) weaving that with their own sadomasochistic evocations of extreme experiences at the cutting edges of the drug-tech interface. More &lt;a href="http://www.orphandrift.com/fictions.html"&gt;info here&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;Also on the web, Drew Hemment's &lt;a href="http://www.drewhemment.com/pdf/microgroove.pdf?"&gt;unpublished thesis&lt;/a&gt; &lt;em&gt;Microgroove: simulation/amplification/intoxication&lt;/em&gt; , recommended by Jeremy Gilbert as &lt;br /&gt;"the best example of a thoroughgoing Deleuzian study of dance music"&lt;br /&gt;&lt;br /&gt;Jeremy also recommends &lt;span style="font-weight:bold;"&gt;Maria Pini's &lt;em&gt;Club Cultures and Female Subjectivity &lt;/em&gt;(Palgrave 2001)&lt;/span&gt;-- which is &lt;a href="http://www.questia.com/PM.qst?a=o&amp;d=101719917"&gt;available online here&lt;/a&gt; and &lt;span style="font-weight:bold;"&gt;Alexander Weheliye's &lt;em&gt;Phonographies: Grooves in Sonic Afro-modernity&lt;/em&gt;&lt;/span&gt; (Durham and London: Duke University Press, 2005) which as the title suggests is some black sonic fictionalist biznizz in a post-KEshun style. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Arun Saldanha, Psychedelic White: Goa Trance and the Viscosity of Race (University of Minnesota Press, 2007)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Only just got this so not had time to do more than flick'n'skim, but having spoken at length with the author--a professor of geography at the University of Minnesota--when I was over for the Spark electronic music festival in Minneapolis, this looks to be a fascinating and provocative study of psy-trance and the phenomenon of rave tourism, based on field research in Goa, pursuing lines of analysis both postcolonial and DeleuzoGuattarian, and containing some shocking revelations about  trancepackers and their exploitative relations with the local people.  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Richard Benson (ed). &lt;em&gt;Night Fever: Club Writing in The Face 1980-1997&lt;/em&gt;. London: Boxtree, 1997.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Useful compendium of journalistic reports and opinion pieces on club culture and dance music from the style Bible, albeit with not that much on rave (the Face's idea of dance culture was always geared to the Eighties nightclub ethos), but lots of good pieces including stuff by the late great Gavin Hills, whose own writings can be found in &lt;em&gt;Bliss to Be Alive: The Collected Journalism of Gavin Hills &lt;/em&gt;(a posthumous anthology from 2000). &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Tobias Rapp, &lt;em&gt;Lost and Sound: Berlin, Techno und der Easyjetset&lt;/em&gt; Suhrkamp (Frankfurt und Main, 2009). &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_soXI82GSn1A/SdGAVWhTNjI/AAAAAAAABx0/dIBws0dVZ6E/s1600-h/tobiRappbook.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 244px; height: 400px;" src="http://4.bp.blogspot.com/_soXI82GSn1A/SdGAVWhTNjI/AAAAAAAABx0/dIBws0dVZ6E/s400/tobiRappbook.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5319173739212125746" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;A fascinating study of the phenomenon of raver tourism in Berlin. Ultra-cheap air fares from Easyjet and Ryan Air et al have created this sort of Euroraver class, who fly into Berlin, don't bother with booking a hotel because they're not planning on doing any sleeping, and instead spend the money they save on partying &lt;strong&gt;hard &lt;/strong&gt;. An entire micro-economy has sprung up to cater to these weekend warriors flying in from every corner of the Continent. As yet available only in German, although it looks likely there will be an English translation. &lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;&lt;a href="http://www.edgecentral.net/"&gt;Graham St John &lt;/a&gt; e.d., &lt;span style="font-style:italic;"&gt;FreeNRG: Notes from the Edge of the Dance Floor &lt;/span&gt;(Melbourne: The Humanities)&lt;/span&gt;&lt;br /&gt;"Frontline communiqués on technotribes, contemporary musical practices and dance culture. Captures the spectrum of youth phenomena at the edge of the dance floor."&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Graham St John, &lt;span style="font-style:italic;"&gt;Technomad: Global Raving Countercultures&lt;/span&gt; (Equinox, 2009) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.edgecentral.net/technomad.htm"&gt;More information here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Graham St John (ed) &lt;span style="font-style:italic;"&gt;Rave Culture and Religion&lt;/span&gt; (London, New York: Routledge, 2004)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;Tara Rodgers, &lt;span style="font-style:italic;"&gt;Pink Noises: Women on Electronic Music and Sound&lt;/span&gt; (2010: Duke University Press)&lt;/span&gt;&lt;br /&gt;Interesting collection of interviews with 24 female electronic musicians from Pauline Oliveros to Mira Calix via Maggi Payne, Jessica Rylan and Blevin Blectum, conducted by the founder of &lt;a href="http://www.pinknoises.com/"&gt;Pinknoises.com&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.edgecentral.net/rcr.htm"&gt;More information here&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2/ ARTICLES&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A vast area. First tentatative toes in the ocean: &lt;br /&gt;&lt;br /&gt;Philip Sherburne, Microhouse feature, &lt;em&gt;The Wire&lt;/em&gt;, September 2001&lt;br /&gt;&lt;br /&gt;Tricia Romano, The Next Brooklyns: New York's DJs flee overseas to Berlin and Barcelona. &lt;em&gt;Village Voice&lt;/em&gt;, July 28, 2004. &lt;a href="http://www.villagevoice.com/news/0430,romano,55414,1.html"&gt;Read it here&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight:bold;"&gt;3/ WEB&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://dj.dancecult.net/index.php/journal/index"&gt;&lt;span style="font-weight:bold;"&gt;Dancecult&lt;/span&gt;&lt;/a&gt;, a new international journal of academic and para-academic writing about electronic dance music culture, edited by &lt;a href="http://www.edgecentral.net/"&gt;Graham St John&lt;/a&gt;. Issue #1 contains a couple of pieces elaborating on the hardcore continuum seminar at UEL in 2009, and Issue #2 has a couple more on the whole debate, including by me.&lt;br /&gt;&lt;br /&gt;DJHistory -- &lt;a href="http://www.djhistory.com/"&gt;Frank Broughton and Bill Brewster's web site &lt;/a&gt;related to their books and chock full of articles, interviews, and so forth, with classic pieces soon to be added by guest writers like David Toop, Sheryl Garratt, Dom Philips and so forth.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5662982887371686287-7742393392807905929?l=energyflashdiscogbibliog.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://energyflashdiscogbibliog.blogspot.com/feeds/7742393392807905929/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5662982887371686287&amp;postID=7742393392807905929' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5662982887371686287/posts/default/7742393392807905929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5662982887371686287/posts/default/7742393392807905929'/><link rel='alternate' type='text/html' href='http://energyflashdiscogbibliog.blogspot.com/2008/02/for-space-reasons-bibliography-has-been.html' title=''/><author><name>SIMON REYNOLDS</name><uri>http://www.blogger.com/profile/01282478701882900354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_soXI82GSn1A/SdGAVWhTNjI/AAAAAAAABx0/dIBws0dVZ6E/s72-c/tobiRappbook.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-5662982887371686287.post-2491082172730968164</id><published>2008-02-22T08:21:00.000-08:00</published><updated>2008-02-22T11:11:07.551-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='-'/><title type='text'></title><content type='html'>&lt;strong&gt;DISCOGRAPHY TO &lt;em&gt;ENERGY FLASH&lt;/em&gt; a.k.a. &lt;em&gt;GENERATION ECSTASY&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;The expanded/updated 2008 edition of &lt;strong&gt;Energy Flash&lt;/strong&gt; does not contain the Discography  in the original 1998 version. Partly this was for reasons of space, but also because during the ten years since the book came out, the unevenness of the original discography became steadily more apparent, and the idea of rectifying that (let alone expanding it to cover the last decade) made me go all weak at the knees. I also felt that there is such a vast amount of thorough discographic material on the web nowadays -- &lt;a href="http://www.discogs.com/home"&gt;Discogs&lt;/a&gt;, obviously, but just about every genre and sub-style of dance music has its unstintingly meticulous and comprehensive discographers at work -- that I felt it was redundant to include a discography, especially one so partial and slanted to my own tastes. Still, for those&lt;br /&gt;those who feel the absence, here is the original discography. &lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;^^^^^^^^^^^&lt;br /&gt;&lt;br /&gt;Notes:&lt;br /&gt;&lt;br /&gt;1/ Damn near every record mentioned in the text is included here, plus a good many that weren't but are nontheless either important or worth hearing. The discography is divided up according to the chapters of the book, and their corresponding genres/eras.&lt;br /&gt;&lt;br /&gt;2/ Flipside or EP tracks are listed if  i/ no A-side was given priority or ii/ if the track is especially excellent or notable. Specific mixes are noted if appropriate.&lt;br /&gt;&lt;br /&gt;3/ Within any individual artist's oeuvre, the releases are listed in chronological order.&lt;br /&gt;&lt;br /&gt;4/ Single artist albums, including anthologies of that artist's work, are listed alongside the single and EP releases; genre compilations and DJ mix-CD's are listed at the end of each chapter or subsection, and listed in order of excellence (the best, or most useful introduction to that genre, comes first).&lt;br /&gt;&lt;br /&gt;5/ DJ names are alphabetized according to their second, defining name -- e.g. DJ Hype is under 'H'.&lt;br /&gt;&lt;br /&gt;6/ If the artist name is a pseudonym or alter-ego, the artist's real name or most well-known alter-ego is listed in parentheses. Exceptions are when an artist is the focus of a subsection: then the whole oevre is listed together, with alter-egos in alphabetical order.&lt;br /&gt;&lt;br /&gt;7/ The releases are not dated, unless the release date diverges drastically from the timespan of that chapter.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1/ A TALE OF THREE CITIES: Detroit Techno, Chicago House and New York Garage, 1980-90&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DETROIT TECHNO&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ancestors&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Kraftwerk &lt;/em&gt;&lt;br /&gt;Autobahn (1974; Elektra 1985) &lt;br /&gt;Trans-Europe Express (Capitol 1977) &lt;br /&gt;The Man-Machine (Capitol, 1978) &lt;br /&gt;Computer World (1981; Elektra 1988) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Detroit pioneers/the Belleville 3&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Juan Atkins:&lt;/em&gt;&lt;br /&gt;Cybotron--Interface (Ace anthology)&lt;br /&gt;Model 500--"No UFOs" &lt;br /&gt;--"Off To Battle" (both Metroplex) &lt;br /&gt;--Classics (R&amp;S anthology)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Derrick May&lt;/em&gt;&lt;br /&gt;Rhythim Is Rhythim&lt;br /&gt;--"Strings Of Life/Move It/Kaos" &lt;br /&gt;--"Nude Photo/The Dance"   &lt;br /&gt;---"The Beginning/Drama/Salsa Life"&lt;br /&gt;---"It Is What It Is/Beyond The Dance" &lt;br /&gt;---Beyond The Dance (Cult Mix)/Sinister" (all Transmat)&lt;br /&gt;   &lt;br /&gt;Innovator: Soundtrack For The Tenth Planet (Network anthology) &lt;br /&gt;&lt;br /&gt;&lt;em&gt;Kevin Saunderson&lt;/em&gt;&lt;br /&gt;Inner City&lt;br /&gt;--"Big Fun" &lt;br /&gt;---"Good Life" (both Ten)&lt;br /&gt;Reese&lt;br /&gt;---"Just Want Another Chance" (Incognito)&lt;br /&gt;Reese &amp; Santonio&lt;br /&gt;---"The Sound" (KMS)&lt;br /&gt;&lt;br /&gt;Kevin Saunderson, Faces &amp; Phases: The Kevin Saunderson Collection           (KMS/Network)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Detroit Compilations&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Retrotechno/Detroit Definitive (Network)&lt;br /&gt;Techno! The New Dance Sound Of Detroit (Network/Ten)&lt;br /&gt;    &lt;br /&gt;&lt;strong&gt;CHICAGO HOUSE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ancestors&lt;/strong&gt;&lt;br /&gt;Donna Summer&lt;br /&gt;"Love To Love You Baby" (Oasis 1975)&lt;br /&gt;"I Feel Love" (Casablanca, 1977)&lt;br /&gt;Once Upon A Time (Casablanca, 1977)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;House Anthems and Jack Tracks&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Fingers Inc--Another Side (Jack Trax)&lt;br /&gt;Farley 'Jackmaster' Funk &amp; Jessie Saunders feat Darryl Pandy--"Love Can't Turn Around"  (DJ International/London)&lt;br /&gt;The It--"Donnie" (DJ International)&lt;br /&gt;Master C&amp; J--"In The City (Devil Mix)" and "(Insane Mix") (State Street)&lt;br /&gt;Mr Fingers--"Washing Machine/Can You Feel It" (Trax)&lt;br /&gt;Jamie Principle--Baby Wants To Ride" (Trax)&lt;br /&gt;Ralphi Rosario feat.Xavier Gold--You Used To Hold Me" (Hot Mix 5)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Compilations&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;The House That Trax Built (Trax)&lt;br /&gt;Classic House 1 to 3 (Mastercuts)&lt;br /&gt;The House Sound of Chicago Vol 1 to III (ffrr)&lt;br /&gt;Jack Trax 1 to 5 (Indigo)&lt;br /&gt;Jackmaster 1 to 5 (DJ International/Westside)&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Acid House&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Classic Acid Trax&lt;/em&gt;&lt;br /&gt;Adonis &amp; The Endless Poker,  "The Poke" (DJ International) &lt;br /&gt;Armando,   "Land of Confusion" (Westbrook)&lt;br /&gt;Bam Bam,   "Where's Your Child" (Westbrook)&lt;br /&gt;Mike Dunn,   "Magic Feet" (Westbrook)&lt;br /&gt;Fast Eddie,    "Acid Thunder" (DJ International)&lt;br /&gt;Laurent X,    "Machines" (Trax)&lt;br /&gt;Phuture,    "Acid Tracks/Your Only Friend" (Trax)&lt;br /&gt;Sleezy D,   "I've Lost Control" (Trax)&lt;br /&gt;Tyree,     "Acid Over" (DJ International)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Acid Compilations&lt;/em&gt;  &lt;br /&gt;&lt;br /&gt;Classic Acid: Definitive Acid House Mastercuts Volume 1       (Mastercuts)&lt;br /&gt;Acid II: Sound Of The Underground (DJ International)&lt;br /&gt;Bam Bam: Best of Westbrook Classics (Tresor)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NEW YORK GARAGE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ancestors&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Double Exposure,  "Ten Percent" (Salsoul)&lt;br /&gt;Dinosaur L [Arthur Russell], "Go Bang!" (City Beat/Sleeping Bag)&lt;br /&gt;First Choice,   "Doctor Love" (Salsoul)&lt;br /&gt;Loose Joints [Russell],  "Is It All Over My Face" (West End)&lt;br /&gt;Arthur Russell,   " Let's Go Swimming (Rough Trade)&lt;br /&gt;Peech Boys,    "Don't Make Me Wait" (West End)&lt;br /&gt;Various Artists, West End Story (West End)&lt;br /&gt;Salsoul's Greatest 12" Hits Vol. 1 (Salsoul)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Strictly Rhythm&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;After Hours, "Waterfall (3-AM Mix)"&lt;br /&gt;Hardrive, "Deep Inside"&lt;br /&gt;House 2 House,   "Hypnotize Me (Trance Mix)"&lt;br /&gt;Photon Inc [Pierre],  "Generate Power"&lt;br /&gt;Phuture [Pierre]&lt;br /&gt;---"Inside Out"&lt;br /&gt;---"Rise From Your Grave"&lt;br /&gt;DJ Pierre, DJ Pierre anthology&lt;br /&gt;Various Artists,   This Is Strictly Rhythm&lt;br /&gt;Strictly Rhythm -- The Album&lt;br /&gt;Strictly Rhythm -- The Second Album &lt;br /&gt;        &lt;br /&gt;&lt;strong&gt;Miscellaneous Post-Disco/Freestyle/Proto-house&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Nitro Deluxe&lt;br /&gt;---"Let's Get Brutal (Cooltempo)&lt;br /&gt;---"This Brutal House" (Cutting/Cooltempo)&lt;br /&gt;---"On A Mission" (Cutting Records)&lt;br /&gt;Various Artists   Nu Groove -- A Compilation (Network)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Todd Terry&lt;/strong&gt;&lt;br /&gt;Black Riot, "Warlock/A Day In the Life" (Champion)&lt;br /&gt;CLS, "Can You Feel It (In House Dub)" (Strictly Rhythm)&lt;br /&gt;Masters At Work&lt;br /&gt;---"Alright, Alright" &lt;br /&gt;---"Dum Dum Cry" (both Fourth Floor)&lt;br /&gt;Orange Lemon,   "Dreams of Santa Anna" (Bad Boy, 1988&lt;br /&gt;Royal House,&lt;br /&gt;--"Can You Party" &lt;br /&gt;--"Party People" &lt;br /&gt;--Can You Party (all Idlers)&lt;br /&gt;Swan Lake,   "In the Name of Love/The Dream" (Bad Boy) &lt;br /&gt;Todd Terry Project,  To the Batmobile Let's Go (Sleeping Bag)&lt;br /&gt;Youngbloods,    "You Got Me Burnin' (UK Deep Mix)" (Strictly Rhythm) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Hip House&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Fast Eddie,"Hip House" &lt;br /&gt;    ---"Yo Yo Get Funky" (both DJ International)&lt;br /&gt;Tyree,"Hardcore Hip House" (DJ International)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2/ LIVING A DREAM: ACID HOUSE AND UK RAVE, 1987-89&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Adamski, LIVEANDIRECT (MCA)&lt;br /&gt;Bang The Party,   "Release Your Body" (Warrior Dance; Transmat)&lt;br /&gt;Baby Ford&lt;br /&gt;---"Oochy Koochy" &lt;br /&gt;---"Chikki Chikki Ahh Ahh"  (both Rhythm King)&lt;br /&gt;---'Ooo' The World Of Baby Ford (Rhythm King/Sire)&lt;br /&gt;Black Box,    Ride On Time (Deconstruction)&lt;br /&gt;Bomb The Bass,   "Beat Dis" (Rhythm King)&lt;br /&gt;Ce Ce Rogers,   "Someday" (ffrr)&lt;br /&gt;Coldcut,    "Beats + Pieces" (Ahead of Our Times)&lt;br /&gt;----What's That Noise (Ahead of Our Time)&lt;br /&gt;D  Mob,    "We Call It Acieed" (ffrr)&lt;br /&gt;E-Zee Possee,    "Everything Starts with An 'E'" (More Protein)&lt;br /&gt;Humanoid,    "Stakker Humanoid" (West Side Records)&lt;br /&gt;Jolly Roger,    "Acid Man" (Ten Records)&lt;br /&gt;Frankie Knuckles,  "Tears"&lt;br /&gt;---"Your Love" (both ffrr)&lt;br /&gt;Landlord,   "I Like It (Blow Out Dub)" (ffrr)&lt;br /&gt;Lil Louis &amp; The World,   "French Kiss" &lt;br /&gt;---From the Mind of Lil Louis (both ffrr)&lt;br /&gt;M/A/R/R/S,    "Pump Up The Volume" (4AD; 4th &amp; Broadway)&lt;br /&gt;Nightwriters,    "Let The Music Use You" (fffreedom) &lt;br /&gt;Phase II,   "Reachin'" (Republic)&lt;br /&gt;Raven Maize,   "Forever Together" (Z/EMI)&lt;br /&gt;Raze,    "Break 4 Love" (Champion)&lt;br /&gt;Raze presents Doug Lazy, "Let It Roll" (Atlantic)   &lt;br /&gt;S'Express&lt;br /&gt;-- "Theme From S'Express" &lt;br /&gt;---"Hey Music Lover"&lt;br /&gt;--- Original Soundtrack  (all Rhythm King)&lt;br /&gt;Starlight,  "Numero Uno" (Citybeat)&lt;br /&gt;Sueno Latino,  "Sueno Latino" (Expanded Music)&lt;br /&gt;Ten City&lt;br /&gt;---"That's The Way Love Is"&lt;br /&gt;---"Devotion" (both Atlantic)&lt;br /&gt;Turntable Orchestra,  "You're Gonna Miss Me" (Republic)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Compilations&lt;/em&gt;  &lt;br /&gt;A History Of Dance Music (Deconstruction)&lt;br /&gt;Classic Balearic: Definitive Balearic Beats Volume 1  (Mastercuts)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3/ 24 HOUR PARTY PEOPLE: MADCHESTER, POSITIVITY, AND THE RAVE'N'ROLL CROSSOVER, 1988-91 &lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Manchester&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Guy Called Gerald &lt;br /&gt;  "Voodoo Ray" (Rham) &lt;br /&gt;    Hot Lemonade (Rham) &lt;br /&gt;    Automanikk (CBS 1990)&lt;br /&gt;&lt;br /&gt;808 State   &lt;br /&gt; Quadrastate (Creed Records)&lt;br /&gt;"Pacific State" (ZTT)&lt;br /&gt;    Ninety (ZTT)/Utd. State 90 (ZTT/Tommy Boy) &lt;br /&gt;    Ex:El (ZTT/Tommy Boy)&lt;br /&gt;&lt;br /&gt;Happy Mondays  Squirrel and G-Man Twenty Four Hour Party People...     Bummed (Factory)&lt;br /&gt;"WFL" ["Wrote For Luck" Paul Oakenfold Remix] &lt;br /&gt;    "Madchester Rave On"  EP &lt;br /&gt;    "Step On" &lt;br /&gt;    Pills 'N Thrills &amp; Bellyaches&lt;br /&gt;    Yes Please! (all Factory)&lt;br /&gt;&lt;br /&gt;Jon Hassell vs 808 State "Voiceprint" (All Saints)&lt;br /&gt;&lt;br /&gt;The Stone Roses   The Stone Roses &lt;br /&gt;    "Fools Gold" &lt;br /&gt;    "One Love/Something's Burning" (all Silvertone)&lt;br /&gt;    Second Coming (Geffen)&lt;br /&gt;&lt;br /&gt;T-Coy    "Carino" (Deconstruction)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Positivity Punks and Rave'n'Rollers&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Adamski    "Killer" (MCA)&lt;br /&gt;&lt;br /&gt;The Beloved    "The Sun Rising" (WEA)&lt;br /&gt;     Happiness (WEA)&lt;br /&gt;&lt;br /&gt;EMF    "Unbelievable" (EMI)&lt;br /&gt;&lt;br /&gt;Flowered Up    "Weekender" (Heavenly/Columbia)&lt;br /&gt;&lt;br /&gt;The KLF   "What Time Is Love?" (KLF Communications)&lt;br /&gt;    The White Room (KLF Communications)&lt;br /&gt;&lt;br /&gt;Primal Scream   "Loaded" (Creation)&lt;br /&gt;     "Come Together (Andew Weatherall Remix)" (Creation)&lt;br /&gt;    "Higher Than The Sun (A Dub Symphony In Two Parts)"     Screamadelica (Creation; Sire)&lt;br /&gt;&lt;br /&gt;The Shamen    En-Tact (One Little Indian/Epic)&lt;br /&gt;    Boss Drum (One Little Indian/Epic)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4/ 'ARDKORE, YOU KNOW THE SCORE: THE SECOND WAVE OF RAVE, 1990-1992&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BLEEP AND BASS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Warp&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Coco Steel and Lovebomb  "Feel It"&lt;br /&gt;Forgemasters    "Track With No Name"&lt;br /&gt;LFO     "LFO"&lt;br /&gt;    Frequencies (Warp; Tommy Boy)&lt;br /&gt;    "What Is House EP"&lt;br /&gt;Nightmares On Wax   "Dextrous"&lt;br /&gt;    "Aftermath"&lt;br /&gt;     A Word of Science: The Ist &amp; Final Chapter&lt;br /&gt;Sweet Exorcist   "Testone"&lt;br /&gt;    C.C.C.D&lt;br /&gt;Tricky Disco    "Tricky Disco" &lt;br /&gt;Tuff Little Unit   "Join The Future" &lt;br /&gt;Various Artists   Pioneers of The Hypnotic Groove &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Miscellaneous Bleep and Bass&lt;/strong&gt; &lt;br /&gt;&lt;br /&gt;Ability II    "Pressure" (Outer Rhythm)&lt;br /&gt;Energise   "Report to the Dancefloor" (Network)&lt;br /&gt;Forgemasters   "Stress" on "The Black Steel EP" (Network)&lt;br /&gt;Rob Gordon   Rob Gordon Projects (Source Records anthology) &lt;br /&gt;Ital Rockers   "Ital's Anthem/Science" (Bassic)&lt;br /&gt;    "One Day" (Outer Rhythm)&lt;br /&gt;Nexus 21    "Logical Progression" (R&amp;S)&lt;br /&gt;Orbital    "Chime/Crime" (OhZone/ffrr)&lt;br /&gt;     "Satan/Belfast" (ffrr)&lt;br /&gt;Rhythmatic   "Take Me Back (Robert Gordon Edit --'With Extra Bass')"         (Network)&lt;br /&gt;     "Frequency Remix/Demons" (Network)&lt;br /&gt;Unique 3    "The Theme" (Ten Records)&lt;br /&gt;    "Weight For The Bass/Musical Melody" (Ten Records)&lt;br /&gt;    Jus' Unique (Ten Records)&lt;br /&gt;XON    "The Mood Set EP" (Network)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Bleep Compilations&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;    Technorave 2: Trance Atlantic... The Wave of the Future       (Network/Next Plateau)&lt;br /&gt;    Breaks, Bass and Bleeps Vol 1 (Rumour) &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SHUT UP AND DANCE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Nicolette    "Waking Up"&lt;br /&gt;    Now Is Early&lt;br /&gt;Ragga Twins   "Illegal Gunshot/Spliffhead"&lt;br /&gt;    "Wipe The Needle/Juggling"&lt;br /&gt;    "Hooligan 69"&lt;br /&gt;    Reggae Owes Me Money &lt;br /&gt;    "Mixed Truth"&lt;br /&gt;Rum &amp; Black    Without Ice&lt;br /&gt;Shut Up And Dance  "10 pounds To Get In"&lt;br /&gt;    "20 pounds To Get In"&lt;br /&gt;    "Derek Went Mad"&lt;br /&gt;    Dance Before The Police Come!&lt;br /&gt;    "Autobiography of A Crackhead/The Green Man"&lt;br /&gt; (feat. Peter Bouncer) "Raving I'm Raving" &lt;br /&gt;    Death Is Not The End  &lt;br /&gt;Various Artists   Shut Up And Dance (SUAD)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BELTRAM/BELGIUM &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Joey Beltram/Second Phase&lt;br /&gt;Beltram   "Energy Flash" (R&amp;S)&lt;br /&gt;Beltram/Program 2   "The Omen" (R&amp;S/Order To Dance)&lt;br /&gt;Joey Beltram     Classics (R&amp;S)&lt;br /&gt;Second Phase   "Mentasm" (Outer Rhythm/R&amp;S)&lt;br /&gt;Miscellaneous Belgian hardcore&lt;br /&gt;Cubic 22    "Night In Motion" (Big Time International)&lt;br /&gt;Frank De Wulf &lt;br /&gt; "The Tape" on "The B-Sides Volume Three"  &lt;br /&gt;  "Magic Orchestra" and "The Tape" on "The B-Sides Remixed" &lt;br /&gt;DJPC    "Inssomniak" (Hype)&lt;br /&gt;Holy Noise   "The Noise (X-Treme Sounds)" (Hithouse)&lt;br /&gt;Human Resource   "The Complete Dominator" (R&amp;S/Order To Dance)&lt;br /&gt;Incubus    "The Spirit "  (80 Aum/I.M.C)&lt;br /&gt;L.A Style    "James Brown Is Dead" (XYZ Records; Arista)&lt;br /&gt;Meng Syndicate  "Sonar System" (Hithouse)&lt;br /&gt;Mundo Muzique  "Acid Pandemonium" on "Tranztechno EP"  (R&amp;S)&lt;br /&gt;Outlander    "The Vamp" (R&amp;S)&lt;br /&gt;Praga Khan    "Rave Alarm" (Beat Box)&lt;br /&gt;Ravesignal III   "Horsepower" (R&amp;S EP)&lt;br /&gt;Rhythm Device (F. De Wulf) "Acid Rock" (Music Man)&lt;br /&gt;Set Up System   "Fairy Dust (Centripetal Mix)" (Big Time)&lt;br /&gt;Techno Grooves   "Techno Slam" on "Mach 4"  (Hotsound EP) &lt;br /&gt;T99     "Anasthasia" (Who's That Beat/XL)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Belgian Hardcore Compilations&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;   XL Recordings: The Second Chapter (XL)&lt;br /&gt;    80 Aum Records: The Diamond Series (80 Aum Records)&lt;br /&gt;    Reactivate Volumes 1 to 5 (React)&lt;br /&gt;    In Order To Dance III and : 4 (R&amp;S)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHART BUSTING POP RAVE AND BRITISH BRUTALIST TEKNO&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Altern 8 &lt;br /&gt;  "Infiltrate 202 (The Vertigo EP)"&lt;br /&gt;    "Activ-8 (Come With Me)"&lt;br /&gt;    "Frequency"&lt;br /&gt;    Full On..Mask Hysteria (all Network)&lt;br /&gt;&lt;br /&gt;Bizarre Inc   "Playing With Knives"  (Vinyl  Solution)&lt;br /&gt;&lt;br /&gt;Congress   "40 Miles" (Nush)&lt;br /&gt;DJ Carl Cox   "I Want You (Forever)" (Perfecto)&lt;br /&gt;&lt;br /&gt;Eon     "Spice"&lt;br /&gt;    "Fear: The Mindkiller"&lt;br /&gt;    Void Dweller (all Vinyl Solution)&lt;br /&gt;&lt;br /&gt;G.T.O    "Pure" (Go Bang, 1990)&lt;br /&gt;    "Listen To the Rhythm Flow" (React)&lt;br /&gt;    "The Bullfrog" (React)&lt;br /&gt;&lt;br /&gt;John + Julie [G.T.O] "Circles (Vicious Mix)" (XL)&lt;br /&gt;&lt;br /&gt;Liquid     "Sweet Harmony" (XL)&lt;br /&gt;Manix     "Feel Real Good" (Reinforced)&lt;br /&gt;&lt;br /&gt;N-Joi     "Anthem" &lt;br /&gt;    "Adrenalin EP" &lt;br /&gt;    "Mindflux/Malfunction"  (all Deconstruction)&lt;br /&gt;&lt;br /&gt;Opus III   "It's A Fine Day" (PWL International)&lt;br /&gt;&lt;br /&gt;The Prodigy    "Android" on "What Evil Lurks EP" &lt;br /&gt;    "Charly/Your Love"  &lt;br /&gt;    "Everybody In The Place"(all XL)&lt;br /&gt;    Experience (XL; Elektra)&lt;br /&gt;    Music For The Jilted Generation (XL; Mute, 1994)&lt;br /&gt;    "Firestarter" (XL; Mute, 1996)&lt;br /&gt;    The Fat of The Land (XL; Maverick, 1997) &lt;br /&gt;&lt;br /&gt;DJ Seduction   "Hardcore Heaven" (Ffrreedom)   &lt;br /&gt;&lt;br /&gt;Shades of Rhythm  "Homicide/Exorcist" &lt;br /&gt;    "The Sound of Eden"&lt;br /&gt;    "Extacy"&lt;br /&gt;    Shades of Rhythm (all ZTT)&lt;br /&gt;&lt;br /&gt;Shaft       "Roobarb &amp; Custard (Dr Trip &amp; Bob Bolts Mix)" (Great      Asset/ffrr)&lt;br /&gt;&lt;br /&gt;Skin Up   "Ivory (Blockbuster)"&lt;br /&gt;    "A Juicy Red Apple" (both Love)&lt;br /&gt;&lt;br /&gt;The Shamen    "Ebeneezer Goode" (One Little Indian/Epic)&lt;br /&gt;&lt;br /&gt;SL2     "DJ's Take Control/Way In My Brain"&lt;br /&gt;    "On A Ragga Tip" (both XL)&lt;br /&gt;&lt;br /&gt;Smart E's   "Sesame's Treet" (Suburban Base) &lt;br /&gt;&lt;br /&gt;Urban Hype    "Trip To Trumpton" (Faze-2 Records)&lt;br /&gt;&lt;br /&gt;Utah Saints    "Something Good" (ffrr/London)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chartcore Compilations &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Third Chapter: Breakbeat House (XL) &lt;br /&gt;        &lt;br /&gt;&lt;strong&gt;RISING HIGH&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Hippy, A Homeboy and A Funki Dredd &lt;br /&gt;    "Total Confusion"&lt;br /&gt;&lt;br /&gt;Church of Ecstasy [GTO] "Confess To Acid Remix"&lt;br /&gt;&lt;br /&gt;The Hypnotist   &lt;br /&gt; "The House Is Mine"&lt;br /&gt;"Hardcore You Know The Score" and "Night of The Livin'  E-Heads" on "The Hardcore EP" &lt;br /&gt;The Complete Hypnotist 91-92 "Let Us Pray"&lt;br /&gt;&lt;br /&gt;Project One (The Hypnotist) "Cheeba EP" &lt;br /&gt;           "Roughneck EP"&lt;br /&gt;&lt;br /&gt;Signs of Chaos [GTO]  "Crackerjack EP"&lt;br /&gt;&lt;br /&gt;Various Artists &lt;br /&gt;--Techno Classics Volume I &lt;br /&gt;--Progressive Hardcore Vol 1&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;KICKIN&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Scientist  (DJ Hype) "The Exorcist"             &lt;br /&gt;    " The Bee"                  &lt;br /&gt;Messiah            "20,000 Hardcore Members"  &lt;br /&gt;     "There is No Law"          &lt;br /&gt;Wishdokta       "Evil Surrounds Us"       &lt;br /&gt;Xenophobia      "Rush In The House/The Wobbler"        &lt;br /&gt;Various Artists   Champion Sound: The Best of Kickin' Volume 1&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BREAKBEAT ARDKORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Bad Girl   "Bad Girl" (Ibiza)&lt;br /&gt;Blame    "Music Takes You (2 Bad Mice Remix)" &lt;br /&gt;    "Feel The Energy (4 Hero Remix)" (both Moving         Shadow) &lt;br /&gt;Bodysnatch   "Revenge of the Punter EP" ( Big City)&lt;br /&gt;Bolt    "Horsepower" (label unknown)&lt;br /&gt;Bug Kann and the Plastic Jam "Made In Two Minutes" (Optimum Dance)&lt;br /&gt;Citadel of Kaos  "Vol 3: It's Not Over" (Boombastic Plastic)&lt;br /&gt;The Clepto-Maniacs   "Positive Feedback EP" (Fokus U.K.)&lt;br /&gt;Lenny D Ice    "We Are I.E." (De Underground)&lt;br /&gt;Desired State   "Dance The Dream Pts III &amp; IV" (Out of Romford)&lt;br /&gt;Dica &amp; DJ Big Vern  "Desire" on "Weekend Rush EP" (Boogie Beat) &lt;br /&gt;DJ's Unite    "DJ Unite Vol 1/Fourplay" (XL) &lt;br /&gt;     "Bass Penetrates" on "DJ's Unite Vol 3" (Impact)&lt;br /&gt;The Dragonfly   "Hard Like A Criminal" on "The Dragonfly EP #1" (BTB) &lt;br /&gt;Dub 2    "Bad Man (Tuffness Mix)/Sensi Tip" (Big City)&lt;br /&gt;E    "I've Got A Little Black Disc With Me Tune On It " (white                 label)&lt;br /&gt;Edge    "Compnded" on "Edge Records#1 EP" (Edge) &lt;br /&gt;Energy Zone   "Jungle Zone EP" (Rising High; Instinct)&lt;br /&gt;Foul Play   "Vol2: Survival/Dubbing U" (Oblivion)&lt;br /&gt;Genaside II    "Narra Mine" (Passion Music)&lt;br /&gt;Globe &amp; the Hardcore Massive "Anthem" (White House)&lt;br /&gt;&lt;br /&gt;Holy Ghost Inc  "Mad Monks On Zinc"&lt;br /&gt;    "Nice One Boy/Magnet/Psycho-Missus" (all Holy Ghost)&lt;br /&gt;&lt;br /&gt;House Crew   "Keep The Fire Burning"&lt;br /&gt;    " Maniac (The Final Conflict)/We Are Hardcore (Magic      Fantasy Mix)  &lt;br /&gt;    "The Theme (Ozomatli Remix/Euphoria (Nino's Dream)&lt;br /&gt;     (all Production House)&lt;br /&gt;&lt;br /&gt;Hyper-On Experience  "Fun For All the Family EP"  &lt;br /&gt;    "Assention" and "Imajicka" on "Keep It In the Family EP" &lt;br /&gt;     (both Moving Shadow)&lt;br /&gt;&lt;br /&gt;Kicks Like A Mule   "The Bouncer (Housequake Mix)" (Sm:)e)&lt;br /&gt;&lt;br /&gt;Krome &amp; Time  "This Sound Is For the Underground (E5 Remix)/Manic      Stampede(DJ Hype Sandringham Road Mix)" &lt;br /&gt;    "The Slammer" &lt;br /&gt;     (both Suburban Base)&lt;br /&gt;Jonny L   "Hurt You So" (Beechwood; R&amp;S)&lt;br /&gt;Manix    "You Held My Hand" and "Never Been To Belgium (gotta      rush)" on  "Bad Attitude EP" (Reinforced)  &lt;br /&gt;Mastersafe   "In Your Eyes" on "Aspirations EP" (Formation)&lt;br /&gt;&lt;br /&gt;Mixrace   "The Future Is Before Your Eyes/Too Bad For You"      (Moving Shadow)&lt;br /&gt;&lt;br /&gt;Noise Factory &lt;br /&gt;              "Set Me Free/Bring Forward The Noise"&lt;br /&gt;    "We Have It/Warning Dub" (both Ibiza)&lt;br /&gt;    "Set Me Free Remix/The Fire/Skin Teeth" &lt;br /&gt;    "My Mind/Be Free"&lt;br /&gt;    "Survival", "Futuroid", and "Breakage#4" on "The Capsule      EP"  (all 3rd Party)&lt;br /&gt;&lt;br /&gt;NRG     "I Need Your Lovin'" (Chill)&lt;br /&gt;&lt;br /&gt;DJ Phantasy &amp; Gemini  "Vol 3: Ruff Beats Producing The Bass" (Han)&lt;br /&gt;    "The Hippodrome" (Han)&lt;br /&gt;&lt;br /&gt;Nick Power +DJ Ku  "Mus Get Dark/Love Survives" (Ruff Tuff &amp; Wicked Stuff) &lt;br /&gt;Powerpill [Aphex Twin]  "Pacman" (ffrr) &lt;br /&gt;Psychotropic   "Hypnosis" (O2 Records)&lt;br /&gt;&lt;br /&gt;Q-Bass    "Hardcore Will Never Die"&lt;br /&gt;    "Dancin' People" (bothl Suburban Base)&lt;br /&gt;&lt;br /&gt;Ratpack    "Searching For My Rizla" (Big Giant Music)&lt;br /&gt;&lt;br /&gt;Rhythm Section   "Feel The Rhythm (Comin On Strong)" &lt;br /&gt;    'Dreamworld" on "Midsummer Madness EP        (both Rhythm Section Recordings)&lt;br /&gt;&lt;br /&gt;Run Tings   "Back Again/Something to Dance To" (Suburban Base)&lt;br /&gt;&lt;br /&gt;DJ Seduction   "Sub Dub" (Impact)&lt;br /&gt;Sly T &amp; Ollie J  "Underground Confusion"&lt;br /&gt;&lt;br /&gt;Sonz of A Loop Da Loop Era "Far Out (Original Scratchadelic mix)"&lt;br /&gt;    "Peace + Loveism (4 Hero RMX)"&lt;br /&gt;     "Bust That Groove" on  Flowers In My Garden mini-LP&lt;br /&gt;      (all Suburban Base)&lt;br /&gt;Sublove   "Hyper Active" on "Twisted Techno EP" (Earth Records)&lt;br /&gt;&lt;br /&gt;Tek 9    "Del Die Gogo/Just A Dream" and "Del Die Remixes"  &lt;br /&gt;    "You Got To Slow Down" on "Return of Tek 9" EP&lt;br /&gt;     (all Reinforced)&lt;br /&gt;Timelapse   "Sued For a Sample/Indian Dream" (Out of Romford)&lt;br /&gt;DJ Trax   "Infinite Hype" and "We Rock The Most" on "1 Man 1 DJ      EP" (Moving Shadow)   &lt;br /&gt;2 Bad Mice   "2 Bad Mice/No Respect" (Moving Shadow)&lt;br /&gt;&lt;br /&gt;Urban Shakedown  "Assassinator/Do It Now/There is No Other/Quasar"&lt;br /&gt;    "Some Justice/Ruff Justice" (both MCG)&lt;br /&gt;Yolk    "Music 4 Da People" (Ruffbeat)&lt;br /&gt;WRK    "Work It/The Corker Remix" (Great Asset)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Breakbeat Ardkore Compilations&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Classic To the Core Vol One and Vol Two (Bass Section)&lt;br /&gt;The History of Our World Part One: Breakbeat &amp; Jungle&lt;br /&gt;Ultramix (Sm:)e)&lt;br /&gt;Edge Records (Edge)&lt;br /&gt;Rabbit City Compilation (Rabbit City)&lt;br /&gt;Base For Your Face (Suburban Base)&lt;br /&gt;A History of Hardcore: Suburban Base and Moving      Shadow (Joint)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;5/ FIGHT FOR YOUR RIGHT TO PARTY: SPIRAL TRIBE AND THE CRUSTY-RAVER MOVEMENT&lt;br /&gt;1992-96&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Spiral Tribe/Megadog Crusty-Rave/Goa Techno&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Children of the Bong  Sirius Sounds (Planet Dog)&lt;br /&gt;The Drum Club  "U Make Me Feel So Good" (Guerrilla)&lt;br /&gt;Juno Reactor   Beyond The Infinite (Blue Room Released)&lt;br /&gt;&lt;br /&gt;Hallucinogen &lt;br /&gt;  Twisted (Dragonfly)&lt;br /&gt;    The Lone Deranger (Twisted)&lt;br /&gt;&lt;br /&gt;Loop Guru    Duniya (Nation/Waveform)&lt;br /&gt;&lt;br /&gt;Spiral Tribe    "Breach The Peace EP" &lt;br /&gt;    "Forward The Revolution EP" (both Butterfly Records/Big         Life)&lt;br /&gt;&lt;br /&gt;Various Artists&lt;br /&gt;   Feed Your Head and Feed Your Head Volume 2 &lt;br /&gt;    Planet Dub (all Mammoth/Planet Dog)&lt;br /&gt;    Return To The Source&lt;br /&gt;    Return To the Source: The Chakra Journey &lt;br /&gt;    Return To The Source: Sacred Sites (all Positiva)&lt;br /&gt;    Goa Trance 1 to 6 (Rumour)    &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;6/ FEED YOUR HEAD:  INTELLIGENT TECHNO, AMBIENT AND TRANCE, 1990-96&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;WARP (and affiliated artists' releases on other labels)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Autechre&lt;/strong&gt;&lt;br /&gt;    Incunabula&lt;br /&gt;    Amber&lt;br /&gt;    "Anti EP" &lt;br /&gt;    "Anvil Vapre"&lt;br /&gt;    "Garbage"&lt;br /&gt;    Tri Repetae (Warp/Wax Trax/TVT)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Black Dog/Plaid/Balil&lt;/strong&gt;&lt;br /&gt;Balil     "Nort Route" (Planet E)&lt;br /&gt;The Black Dog   "Virtuality" EP &lt;br /&gt;    "Age of Slack" &lt;br /&gt;    "It Felt Like It/Seers + Sales/Dog Solitude/Apt/Chiba"      &lt;br /&gt;            (all Black Dog Records)&lt;br /&gt;    &lt;em&gt;Parallel&lt;/em&gt; (GPR)&lt;br /&gt;    &lt;em&gt;Bytes &lt;/em&gt;&lt;br /&gt;    &lt;em&gt;Spanners&lt;/em&gt; (both Warp/TVT/Wax Trax)&lt;br /&gt;    &lt;em&gt;The Book of Dogma &lt;/em&gt;(2007 compilation on Soma, first disc is the legendary early EPs, second disc the EPs for GPR later released as &lt;em&gt;Parallel&lt;/em&gt;; reviewed by SR &lt;a href="http://reynoldsretro.blogspot.com/2007/12/black-dog-book-of-dogma-emusic-2007-by.html"&gt;here&lt;/a&gt;)&lt;br /&gt;Plaid     "Scoobs In Colombia" (GPR) &lt;br /&gt;   &lt;br /&gt;&lt;strong&gt;Aphex Twin &lt;/strong&gt;   &lt;br /&gt;AFX     "Analogue Bubblebath" (Mighty Force; TVT, 1994)   &lt;br /&gt;    Analogue Bubblebath 3 (Rephlex) &lt;br /&gt;Aphex Twin   "Digeridoo/Analogue Bubblebath 2" (R&amp; S) &lt;br /&gt;      Selected Ambient Works 85-92 (R&amp;S) &lt;br /&gt;               Selected Ambient Works Volume II (Warp; Sire) &lt;br /&gt;    Classics (R&amp;S)&lt;br /&gt;    I Care Because You Do (Sire; Warp)&lt;br /&gt;Polygon Window   Surfing On Sine Waves (Warp/Wax Trax/TVT) &lt;br /&gt;               "Quoth EP" (Warp/Wax Trax/TVT) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Warp Compilations &lt;/strong&gt;  &lt;br /&gt;&lt;em&gt;Artificial Intelligence&lt;/em&gt; and &lt;em&gt;Artificial Intelligence II&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EARLY CHILL OUT, AMBIENT TECHNO AND AMBIENT DUB&lt;/strong&gt;The &lt;br /&gt;&lt;br /&gt;Grid    "Floatation (East West)&lt;br /&gt;The KLF    Chill Out (KLF; Wax Trax)&lt;br /&gt;The Irresistible Force    Flying High (Rising High)&lt;br /&gt;Pete Namlook    Air &lt;br /&gt;    Silence (both Fax)&lt;br /&gt;The Orb   "A Huge Evergrowing Pulsating Brain That Rules From the      Centre of the Ultraworld" &lt;br /&gt;    The Orb's Adventures Beyond The Ultraworld &lt;br /&gt;    "Blue Room"&lt;br /&gt;    u.f.orb &lt;br /&gt;    "Assassin"&lt;br /&gt;     (all Wau! Mr Modo/Big Life)&lt;br /&gt;     Live 93 (Island Red Label)&lt;br /&gt;Ultramarine   Every Man and Woman Is A Star (Brainiak)&lt;br /&gt;    United Kingdoms (Blanco Y Negro/Sire)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chill out etc Compilations &lt;/strong&gt;  &lt;br /&gt;Excursions In Ambience 1 to 4 (Astralwerks)&lt;br /&gt;Ambient Dub Volumes 1 to 3 (Beyond)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TEXTUROLOGY"/INTELLIGENT TECHNO&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Bandulu    Guidance (Infonet)&lt;br /&gt;Beaumont Hannant   "Tastes and Textures Vol-1" to "Vol-3"&lt;br /&gt;    Texturology (both GPR)&lt;br /&gt;&lt;br /&gt;Future Sound of London  "Papua New Guinea" (Jumpin' &amp; Pumpin')&lt;br /&gt;    Lifeforms (Virgin)&lt;br /&gt;&lt;br /&gt;Global Communications  76 14 (Dedicated)&lt;br /&gt;&lt;br /&gt;Orbital&lt;br /&gt;    "Halcyon" on "Radiccio EP" &lt;br /&gt;    Orbital &lt;br /&gt;    Snivilisation (all Internal)&lt;br /&gt;&lt;br /&gt;Reload/Link [Global Communications)&lt;br /&gt;    The Theory of Evolution (Evolution/Warp)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRANCE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Arpeggiators    "Freedom of Expression" (Harthouse)&lt;br /&gt;Commander Tom   "Volume One: Are Am Eye" (Noom)&lt;br /&gt;&lt;br /&gt;Hardfloor    "Hardtrance Acperience" &lt;br /&gt;    The Best of Hardfloor (both Harthouse UK)&lt;br /&gt;&lt;br /&gt;Jam &amp; Spoon    "Tales From A Danceographic Ocean EP" (R&amp;S)&lt;br /&gt;    Triptomatic Fairytales 2001 and 2002 (Epic)&lt;br /&gt;&lt;br /&gt;Mundo Muzique   "Andromeda" (R&amp;S)&lt;br /&gt;&lt;br /&gt;Sven Vath    Accident In Paradise (Eye Q/Warners)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Trance Compilations&lt;/strong&gt;&lt;br /&gt;Berlin 1992. Der Klang der Familie (Tresor/Novamute)&lt;br /&gt;    Harthouse. The Point of No Return Chapter 1 (Eye        Q/American)&lt;br /&gt;    Novamute: Version 1.1 (Novamute)&lt;br /&gt;    The Sound of The Hoover (TEC)&lt;br /&gt;    Trance Europe Express 1 and 2 (TEE/Volume)&lt;br /&gt;        &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;7/ SLIPPING INTO DARKNESS: THE UK RAVE DREAM TURNS TO NIGHTMARE, 1991-93&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PRODUCTION HOUSE/BLISS-2-DARK&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Acen &lt;br /&gt;"Close Your Eyes"&lt;br /&gt;"Close Your Eyes (Optikonfusion)/Close Your Eyes (The Sequel) &lt;br /&gt;"Trip To The Moon Pt 1"&lt;br /&gt;"Trip II The Moon (The Darkside)"&lt;br /&gt;&lt;em&gt;75 Minutes&lt;/em&gt; (on Profile, US only CD)&lt;br /&gt;&lt;br /&gt;Baby D    "Let Me Be Your Fantasy CD-7 (also on Sm:)e)&lt;br /&gt;D-M-S    "Vengeance/Love Overdose Remix"&lt;br /&gt;    "S.O.S./Mindwreck"&lt;br /&gt;DJ Solo    "Darkage/Axis"&lt;br /&gt;Various Artists   The Best of Production House (Production House)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;REINFORCED (and affiliated artists' releases on other labels)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;4 Hero&lt;/strong&gt;&lt;br /&gt;    "Mr Kirk's Nightmare" (Reinforced 1990; Sm:)e)&lt;br /&gt;    "Headhunter EP" &lt;br /&gt;    In Rough Territory &lt;br /&gt;    "Where's The Boy" EP&lt;br /&gt;    "Journey From the Light" EP and "Journey Remix" EP&lt;br /&gt;    "Golden Age EP" and "Golden Age Remixes"&lt;br /&gt;&lt;br /&gt;Metalheads [Goldie]  "Terminator/Kemistry/Knowledge/Sinister"&lt;br /&gt;      (Synthetic Hardcore Phonography)&lt;br /&gt;&lt;br /&gt;Nebula II&lt;br /&gt;   "Seance/Anthema" &lt;br /&gt;    "X-Plore H-Core/Peacemaker" &lt;br /&gt;&lt;br /&gt;Nasty Habits [Doc Scott] "Here Comes The Drumz" and "Dark Angel" on &lt;br /&gt;     "As Nasty As I Wanna Be EP" &lt;br /&gt;&lt;br /&gt;Rufige Kru [Goldie]  "Darkrider/Believe/Menace/Jim Skreech" &lt;br /&gt;    "Ghosts of My Life/Terminator II"  &lt;br /&gt;&lt;br /&gt;Doc Scott   "NHS" and  "NHS EP VOL 2 REMIX" &lt;br /&gt;    "Surgery EP" (all Absolute 2) &lt;br /&gt;&lt;br /&gt;Sudden Def    "Let It Hit/Fall Like Rain (Madness To My Method)" &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Reinforced compilations&lt;/strong&gt;&lt;br /&gt;Callin' For Reinforcements &lt;br /&gt;The Definition of Hardcore &lt;br /&gt;"Enforcers" EP's 1 to 5&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MISCELLANEOUS DARKCORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Bay-B-Kane   "Hello Darkness" (Ruff Guidance)&lt;br /&gt;Boogie Times Tribe &lt;br /&gt;  "The Dark Stranger/Real Hardcore Pts 1 &amp; 2"&lt;br /&gt;    "The Dark Stranger (Q-Bass Remix/Origin Unknown Re-      Remix)  (bothl Surburban Base)&lt;br /&gt;&lt;br /&gt;D'Cruze    "Want You Now (DJ SS + EQ Remix)" (Suburban Base)&lt;br /&gt;&lt;br /&gt;DJ Crystl    "Warpdrive" (Dee Jay )&lt;br /&gt;    "The Dark Crystl/Inna Year 3000" (Force Ten)&lt;br /&gt;&lt;br /&gt;Edrush    "Bludclot Artattack" (No U Turn)&lt;br /&gt;&lt;br /&gt;Foul Play    "Finest Illusion" (Section 5)&lt;br /&gt;4 Horsemen of the Apocalypse [Foul Play] "Drowning In Her" (Tone Def)&lt;br /&gt;&lt;br /&gt;DJ Hype   "Shot In The Dark (Gunshot Mix)/I Can't Understand It      (Scratch The Fuck out of the Beginning Mix)"    "Shot in the Dark Remixes/Weird Energy"&lt;br /&gt;    "The Chopper" on "Subplates Vol 1" Various Artists EP&lt;br /&gt;     (all Suburban Base)&lt;br /&gt;&lt;br /&gt;Hyper-On Experience  "Lords of The Null Lines" on  "Deaf In the Family EP" r&lt;br /&gt;    "Lords of the Null Lines (Foul Play Remix)" 10 inch &lt;br /&gt;     (Moving Shadow)    &lt;br /&gt;&lt;br /&gt;Johnny Jungle   "Johnny Remixes" (Suburban Base)&lt;br /&gt;&lt;br /&gt;Kaotic Chemistry   "Kaotic Chemistry EP"&lt;br /&gt; [2 Bad Mice]  "Space Cakes/L.S.D./Illegal Subs/Drum Trip II"     "Space Cakes (2 Bad Mice Remix)/Vitamin K/Illegal Subs      (Krome &amp; Time Remix)&lt;br /&gt;      (all Moving Shadow)&lt;br /&gt;&lt;br /&gt;Megadrive   "Demon" on "Taking Control EP" (Formation)&lt;br /&gt;Origin Unknown  "Valley of the Shadows" (Ram)&lt;br /&gt;Remarc &amp; Lewi Cifer  "Ricky" (Dollar)&lt;br /&gt;Satin Storm    "I Think I'm Going Out My Head" (white label)&lt;br /&gt;Subnation/Ray Keith   "Scottie (Ray Keith Remix)" (Future Vinyl)&lt;br /&gt;Trace    "Lost Entity" (Lucky Spin)&lt;br /&gt;&lt;br /&gt;2 Bad Mice   " Underworld/Tribal Revival/Pitch Black/Mass Confusion"        (Moving Shadow)&lt;br /&gt;2 Bad Mice/Kaotic Chemistry   Kaotic Chemistry (Sm:)e anthology)&lt;br /&gt;&lt;br /&gt;X Project    "X Project (Aled Jones 'Walking In The Air' mix)"  (X           Project)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Darkcore Compilations&lt;/strong&gt;&lt;br /&gt;   The Dark Side and The Dark Side II (React)&lt;br /&gt;    Suburban Base and Moving Shadow Present: The Joint LP       (Joint)&lt;br /&gt;    Hardcore (Leaders of the New School)       Hardleaders III: Enter The Darkside (both Kickin')&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;8/ THE FUTURE SOUND OF DETROIT: UNDERGROUND RESISTANCE, +8, AND CARL CRAIG, 1990-96&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;UNDERGROUND RESISTANCE (and UR-affiliated artists' releases on other labels)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Drexciya&lt;br /&gt;   "Deep Sea Dweller" &lt;br /&gt;    "The Unknown Aquazone" (Hyperspace)&lt;br /&gt;    "The Bubble Metropolis"  &lt;br /&gt;    The Quest (double CD anthology)&lt;br /&gt;&lt;br /&gt;Suburban Knight   "The Art of Stalking (Stalker Mix)/The Worlds (Transmat)&lt;br /&gt;    "Nocturbulous Behavior" &lt;br /&gt;      (with Mad Mike)   "Dark Energy"&lt;br /&gt;    "By Night"&lt;br /&gt;&lt;br /&gt;Underground Resistance &lt;br /&gt;"Sonic EP"                             &lt;br /&gt;    "Waveform EP"                     &lt;br /&gt;    "Elimination (remix)/Gamma-Ray"        &lt;br /&gt;    "Riot EP"               &lt;br /&gt;    "Fuel For The Fire"&lt;br /&gt;    "Punisher"                       &lt;br /&gt;    Revolution For Change&lt;br /&gt;    "Fury/Cyclone"              &lt;br /&gt;    "Death Star/The Force/Planet X"&lt;br /&gt;    "Jupiter Jazz" on "World 2 World EP" &lt;br /&gt;    "Galaxy 2 Galaxy " double-EP                &lt;br /&gt;&lt;br /&gt;World Power Alliance [UR]&lt;br /&gt; "Kamikaze"&lt;br /&gt;    "The Seawolf"&lt;br /&gt;    "Belgian Resistance"&lt;br /&gt;&lt;br /&gt;X-101 [UR]   "Sonic Destroyer/G-Force"&lt;br /&gt;X-101    X-1O1 (Tresor)                                    &lt;br /&gt;X-102     X-102 Discovers The Rings of Saturn (Tresor)&lt;br /&gt;X-103    Atlantis (Tresor)&lt;br /&gt;     &lt;br /&gt;&lt;strong&gt;Mike Banks, Jeff Mills, Robert Hood post-UR solo releases&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Robert Hood    Internal Empire (Tresor)&lt;br /&gt;&lt;br /&gt;Jeff Mills &lt;br /&gt;    Waveform Transmission #1&lt;br /&gt;     Waveform Transmission # 3 (both Tresor)&lt;br /&gt;    "Cycle 30" (Purpose Maker) &lt;br /&gt;    Live At The Liquid Room--Tokyo (React DJ mix-CD)&lt;br /&gt;     The Other Day (Axis anthology)&lt;br /&gt;&lt;br /&gt;Red Planet [Mike Banks] "Red Planet 1" to "7" (Red Planet)&lt;br /&gt;&lt;br /&gt;The Vision [Robert Hood] Waveform Transmission #2 (Tresor)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;+ 8 (and +8-affiliated artists' releases on other labels)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Circuit Breaker   "Overkill/Frenz-E"&lt;br /&gt;Cybersonik    "Technarchy"&lt;br /&gt;    "Thrash"&lt;br /&gt;Final Exposure   "Vortex"&lt;br /&gt;F.U.S.E    "FU2"&lt;br /&gt;     Dimension Intrusion (+8/Warp)&lt;br /&gt;Plastikman    Sheet One (+8/Warp)&lt;br /&gt;    Musik (+8/Warp)&lt;br /&gt;Speedy J    "Pullover"&lt;br /&gt;    Ginger (+8/Warp) &lt;br /&gt; Teste     "The Wipe (Sonik Dub)" (Probe/+8)&lt;br /&gt;Vapourspace   "Gravitational Arch of 10" maxi-EP ((+8/ffrr)&lt;br /&gt;&lt;br /&gt;Various Artists &lt;br /&gt;--From Our Minds To Yours &lt;br /&gt;  --Blueprints For Modern (Techno)logy Vol 1 &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CARL CRAIG AND HIS ALTER-EGOS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Carl Craig   "The Climax" (Retroactive)&lt;br /&gt;    "Warp Me In Its Arms" (Retroactive)&lt;br /&gt;    "At Les" (Planet E/Eevolute)&lt;br /&gt;    Landcruising (Blanco Y Negro)&lt;br /&gt;    More Songs About Food and Revolutionary Art (Planet E)&lt;br /&gt;&lt;br /&gt;Innerzone Orchestra   "Bug In The Bass Bin" (Planet E)&lt;br /&gt;&lt;br /&gt;Paperclip People   "Throw" (Planet E)&lt;br /&gt;&lt;br /&gt;Psyche/BFC    Elements 1989-1990 (Planet E anthology)&lt;br /&gt;&lt;br /&gt;Rhythim Is Rhythim   "Kao-Tic Harmony" (B/side of "Icon") (Transmat/Zomba)&lt;br /&gt;&lt;br /&gt;69    Six Nine: The Sound of Music (R&amp;S anthology)&lt;br /&gt;&lt;br /&gt;Various Artists   Intergalactic Beats (Planet E)&lt;br /&gt;    &lt;br /&gt;&lt;strong&gt;&lt;br /&gt;MISCELLANEOUS NINETIES DETEROIT ARTISTS AND DETROIT-PURISTS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Dave Angel    Classics (R&amp;S)&lt;br /&gt;Daniel Bell/DBX  "Losing Control" (Peacefrog)&lt;br /&gt;John Beltran    Earth &amp; Nightfall (R&amp;S)&lt;br /&gt;Dave Clarke    Archive One (Deconstruction)&lt;br /&gt;Dark Comedy [K.Larkin] "War of The Worlds" (Transmat)&lt;br /&gt;Kenny Larkin    Seven Days  (Art of Dance/Elypsia)&lt;br /&gt;Model 500 &lt;br /&gt;--Deep Space   &lt;br /&gt;--"Sonic Sunset" EP (both R&amp;S)&lt;br /&gt;&lt;br /&gt;Tronikhouse [Kevin saunderson]   "Uptempo/Mental Techno/Spark Plug" &lt;br /&gt;      "Straight Outta Hell" (both KMS/Network)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Compilations&lt;/strong&gt;&lt;br /&gt;   Tresor II: Berlin Detroit -A Techno Alliance &lt;br /&gt;    Tresor 3: New Directions In Global Techno (both Tresor)&lt;br /&gt;    The Deepest Shade of Techno I + II (Reinforced/SSR       Crammed Discs)&lt;br /&gt;    True People: The Detroit Techno Album (React)&lt;br /&gt;    World Sonic Domination Volume 1 and 2       (Generator/Kickin') &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BASIC CHANNEL/CHAIN REACTION&lt;/strong&gt;&lt;br /&gt; &lt;br /&gt;&lt;strong&gt;Basic Channel&lt;/strong&gt;&lt;br /&gt;Cyrus     "Inversion/Presence&lt;br /&gt;Maurizio   "M6"       &lt;br /&gt;    Maurizio CD anthology (both M)&lt;br /&gt;Phylyps   "Phylyps Trak/Phylyps Bass"&lt;br /&gt;Various Artists   Basic Channel CD&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Chain Reaction&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Monolake &lt;br /&gt;   "Cyan I/Cyan II"&lt;br /&gt;    "Lantau/Macao" &lt;br /&gt;&lt;br /&gt;Porter Ricks  &lt;br /&gt;  "Port of Transition/Port of Call"&lt;br /&gt;    "Port of Nuba/Nautical Nuba"&lt;br /&gt;    Biokinetics anthology&lt;br /&gt;&lt;br /&gt;Resilent    "1.2/1.1"&lt;br /&gt;&lt;br /&gt;Vainqueur    Elevations anthology&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;10/ ROOTS 'N FUTURE: JUNGLE TAKES OVER LONDON, 1992-94&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;DJ Aphrodite   "You Take Me Up" (Aphrodite)&lt;br /&gt;A-Zone (Aphrodite)   "Callin' All The People" (Whitehouse)&lt;br /&gt;Babylon Timewarp   "Durban Poison" (Intense)&lt;br /&gt;Bodysnatch   "Just 4 U London" (Big City)&lt;br /&gt;Andy C     "Slip 'N Slide" (Ram)&lt;br /&gt;C-Biz     "Crowd Says Rewind" (Big City)&lt;br /&gt;Cloud Nine [Nookie]  "You Got Me Burnin' (Ray Keith &amp; Nookie Remix)"&lt;br /&gt;      (Moving Shadow)&lt;br /&gt;Code 071    "London Sumtin'" (Reinforced)&lt;br /&gt;DJ Crystl    "Let It Roll" (Dee Jay)&lt;br /&gt;Dead Dred    "Dred Bass" (Moving Shadow)&lt;br /&gt;Deep Blue    "The Helicopter Tune" (Moving Shadow)&lt;br /&gt;Desired State (Andy C)  "Beyond Bass" (Ram)&lt;br /&gt;D-Force    "Original Bad Boy" (Slammin' Vinyl)&lt;br /&gt;DMS &amp; Boneman X  "Sweet Vibrations" (Production House)&lt;br /&gt;Dope Style (DJ Hype)  "You Must Think First" (Ganja)&lt;br /&gt;Engineers Without Fears  "Spiritual Aura" (Dee Jay)&lt;br /&gt;Family Of Intelligence  "Champion of Champions" (Kemet)&lt;br /&gt;Ganja Kru (DJ Hype)   "Computerised Cops (Pascal Remix)" (Ganja)&lt;br /&gt;Gappa G &amp; Hyper Hyper  ""The Information Centre Remixes" double 10 inch (Ruff      Kut/Entity)&lt;br /&gt;DJ Hype    "Rrrroll da Beats" (Suburban Base)&lt;br /&gt;Hyper-On Experience  "Thunder Grip" on "Deaf In The Family EP" (Moving           Shadow)&lt;br /&gt;Jo     "R Type" (Awesome)&lt;br /&gt;Krome &amp; Time   "Ganja Man"  (both Tearin' Vinyl)&lt;br /&gt;Leviticus    "The Burial" (Philly Blunt/V Recordings)&lt;br /&gt;MA1    "Rollin' With The Punches" (Formation)&lt;br /&gt;Marvellous Cain   "Hitman (Asend &amp; Dead Dread  Remix)" (Suburban Base)&lt;br /&gt;M-Beat    "Shuffle" (Renk)&lt;br /&gt;M-Beat featuring General Levy "Incredible" (ffrr/Payday)&lt;br /&gt;DJ Nut Nut &amp; Pure Science  "The Rumble" (Production House)&lt;br /&gt;Phuture Assassins   "Roots 'N Future (Make Dem Know Mix)" (Suburban Base)&lt;br /&gt;Q Project   "Champion Sound Remix" (Q Project)&lt;br /&gt;Renegade feat. Ray Keith  "Terrorist" (Moving Shadow)&lt;br /&gt;Shimon    "Predator" (Ram)&lt;br /&gt;Shy FX with Gunsmoke  "Gangsta Kid" (SOUR)&lt;br /&gt;Slipmatt    "Breakin' Free" (Awesome)&lt;br /&gt;Sonz of A Loop Da Loop Era "What The..." and "What The... Remix" (Suburban Base)&lt;br /&gt;DJ SS     "Breakbeat Pressure EP's 1" to "3" (Formation)&lt;br /&gt;2 Bad Mice    "Hold it Down/Waremouse/Bombscare" and "Remixes"&lt;br /&gt;      ( Moving Shadow)&lt;br /&gt;UK Apachi with Shy FX  "Original Nuttah" (SOUR; Moonshine)&lt;br /&gt;The Untouchables   "Vol 2: Take Me Away" (Whitehouse)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Jungle Compilations &lt;/strong&gt;&lt;br /&gt;  Drum &amp; Bass Selection 1 and Selection 2 (Breakdown)&lt;br /&gt;    Renegade Selector Series 1 (Re-Animate)&lt;br /&gt;    The Best of Jungle (Production House/P.H. Division)&lt;br /&gt;    Jungle Massive 3 (Labello Blanco)&lt;br /&gt;    &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;11/ MARCHING INTO MADNESS:  GABBA AND HAPPY HARDCORE, 1992-97&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;GABBA&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Annihilator [Scott Brown] "I'll Show You My Gun" (Mokum) &lt;br /&gt;DJ Dano   "Fukem All" (Mokum)&lt;br /&gt;Lenny Dee   "Blood of An English Muffin" (Industrial Strength)&lt;br /&gt;Dye Witness   "Only If I Had One More" (Midtown)&lt;br /&gt;Euromasters   "Alles Naar De Klote [Everything Is Bollocks]"&lt;br /&gt;    "Amsterdam Waar Lecht Dat Dan?" (both Rotterdam)&lt;br /&gt;The Original Gabber   "Pump That Pussy" (Mokum)&lt;br /&gt;Knightvision    "Knight of Visions" (Ruffneck)&lt;br /&gt;Rotterdam Termination Source "Poing" (Rotterdam)&lt;br /&gt;The Speedfreak   For You (Shockwave)&lt;br /&gt;Sperminator    "No Woman Allowed" (Rotterdam)&lt;br /&gt;Technohead [G.T.O.]  Headsex (Mokum)&lt;br /&gt;Turbulence Vs Terrorists   "Six Million Ways to Die" (SS/PCP)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Gabba Compilations &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;  Hardcore Terror Vol 1: The Dutch Masters (Rumour)&lt;br /&gt;    Technohead: Mix Hard or Die &lt;br /&gt;    Technohead II: Harder &amp; Faster (both React)      &lt;br /&gt;Battlegrounds: A Collection of Hardcore Cyberpunk       (Mokum/Roadrunner) &lt;br /&gt;    F**king Hardcore Pt 1 to #4  (Mokum)&lt;br /&gt;    The Ruffneck Collection Part I to V (Ruffneck)&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAPPY GABBA AND SCOTTISH BOUNCY TECHNO&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Bass Reaction    "Technophobia" (Evolution)&lt;br /&gt;Bass-X    "Hardcore Disco" (Evolution)&lt;br /&gt;DJ Paul Elstak   "Luv You More" (Stip Records)&lt;br /&gt;Charlie Lownoise &amp; Mental Theo&lt;br /&gt;    "Wonderful Days" (Master Maximum)                                        &lt;br /&gt;Party Animals    "Aquarius" &lt;br /&gt;     "Have You Ever Been Mellow" &lt;br /&gt;     "Hava Naquila" (all Mokum)&lt;br /&gt;QTEX     "Equazion" (Evolution)&lt;br /&gt;The Rhythmic State   "Soap On A Rope" &lt;br /&gt;    "No DS Allowed" (both Massive Respect)&lt;br /&gt;Search &amp; Destroy   "Iron Man" (Mokum)&lt;br /&gt;Stingray &amp; Sonicdriver  "As Cold As Ice" (Dwarf)&lt;br /&gt;Technohead    "I Wanna Be A Hippy" (Mokum)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HAPPY GABBA AND SCOTTISH CHEESYCORE COMPS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;    Hardcore Cheddar: The Dutch Masters Vol 2 (Rumour)    Make 'Em Mokum Crazy: Popcore (Mokum/Roadrunner) &lt;br /&gt;    Rezerection: The Awakening of '95 (Evolution) &lt;br /&gt;    Twisted! The Best of Twisted Vinyl Vol 1 (Twisted            Vinyl)     Gold: The Best of Evolution Gold (Evolution Gold)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ENGLISH HAPPY HARDCORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;DJ Ham &amp; DJ Poosie   "Masterpeace" (Knite Force)&lt;br /&gt;Hixxy &amp; Sharky  "Toytown" (Essential Platinum)&lt;br /&gt;Jimmy J &amp; Cru-L-T   "Six Days" (Remix Records)&lt;br /&gt;DJ Reno &amp; Eatsum presents The Kidz &lt;br /&gt;    "I've Got Something In Me (Trancey Mix)" (Happy Trax)&lt;br /&gt;Slipmatt, Sy &amp; Unknown  "In Effect The Remixes" (Slammin' Vinyl)&lt;br /&gt;Vibes    "Music's So Wonderful" (white label) &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Happy Hardcore Compilations &lt;/strong&gt; &lt;br /&gt; Happy Anthems: Volume Four (Rumour) &lt;br /&gt;    Speed Limit 140 BPM Plus Seven and Eight (Moonshine)&lt;br /&gt;    Happy Anthems Volume One (Rumour)&lt;br /&gt;    Happy Hardcore (Jumpin' &amp; Pumpin')&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TERRORCORE &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;D.O.A.    New York City Speedcore (Industrial Strength/Earache)&lt;br /&gt;Nasenbluten   "100 % No Soul Guaranteed" double-EP&lt;br /&gt;       (Bloody Fist/Industrial Strength)&lt;br /&gt;Signs Ov Chaos [G.T.O.] Frankenscience (urban cyberphunk) (Earache)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Terrorcore Compilations&lt;/strong&gt;&lt;br /&gt;   Industrial F**king Strength (Industrial Strength/Earache)&lt;br /&gt;    Terrordome I   to VI (edel)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PCP AND ITS SUB-LABELS DANCE ECSTASY 2001 AND COLD RUSH(plus affiliated artists releases on other labels)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PCP&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Mescalinum United &lt;br /&gt;  "Into Mekong Center"&lt;br /&gt;       [The Mover]   "Symphonies of Steel Part 1"&lt;br /&gt;    "Symphonies of Steel: The Second Level" &lt;br /&gt;&lt;br /&gt;The Mover  &lt;br /&gt; "Frontal Sickness" and "Frontal Sickness" Part 2 &lt;br /&gt;    The Final Sickness &lt;br /&gt;&lt;br /&gt;Spiritual Combat [The Mover]  "Hellrazor EP" (R&amp;S)&lt;br /&gt;&lt;br /&gt;Various Artists   Frankfurt Trax: House of Techno Vol 1 &lt;br /&gt;      Frankfurt Trax Vol 2: House of Techno&lt;br /&gt;    Frankfurt Trax Vol 3: The House of Phuture&lt;br /&gt;    Frankfurt Trax Vol 4: The Hall of Fame&lt;br /&gt;    Frankfurt Trax Vol 5: Defenders of the Faith&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Dance Ecstasy 2001&lt;/strong&gt;&lt;br /&gt;Inferno Bros.   "Slaves To the Rave Remixes"&lt;br /&gt;Inferno Bros.    "Slaves The The Rave (First RaveAge Rough Mix)" on the      "Most Wanted Bootleg"  &lt;br /&gt;Reign    "Chapter II: The Zombie Leader Is Approachin'" &lt;br /&gt;Renegade Legion  "Dark Forces/Torsion" &lt;br /&gt;Test    "Overdub"&lt;br /&gt;Trip Commando   "Temple Tunes Vol. 1" &lt;br /&gt;Various Artists   A Dance Ecstasy 2001 Compilation &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Cold Rush &lt;/strong&gt;&lt;br /&gt;Freez-E-Style/Pilldriver  "Protectors of Bass"&lt;br /&gt;Mover/Rave Creator  "Astral Demons/Rave the Planet"&lt;br /&gt;Rave Creator/Cypher     "Lights Sound Action"/Doomed Bunkerloops" double EP&lt;br /&gt;Various Artists   "Doom Supporters/The Last Judgement Part One" double           EP&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;12/ AMERICA THE RAVE: US RAVE CULTURE, 1990-97&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BROOKLYN AND NEW YORK &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Looney Tunes   "Volume 1" EP (Nu Groove)&lt;br /&gt;Frankie Bones   "Bonesbreaks, Volume I" (Under World)   &lt;br /&gt;D.H.S     "House of God/Holo Voodoo" double-EP (Hangman) &lt;br /&gt;Flowmasters    "Energy Dawn EP" (XL)&lt;br /&gt;Moby     "Go" (Instinct)&lt;br /&gt;Various Artists   Brooklyn Beats (Easy Street)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SAN FRANCISCO/HARDKISS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Drum Club   "Drums Are Dangerous (Drugs Are Dangerous Remix by      Robbie &amp; Gavin Hardkiss)&lt;br /&gt;Hawke    "3 Nudes In A Purple Garden"&lt;br /&gt;    "3 Nudes (Having Sax On Acid)"&lt;br /&gt;Compilations and DJ Mix-CDs&lt;br /&gt;    Delusions of Grandeur &lt;br /&gt;    California Dreaming (ffrr)&lt;br /&gt;    Weekend: A Gavin Hardkiss Mix &lt;br /&gt;    Yes: A Scott Hardkiss Mix (Hardkiss/Moonshine)&lt;br /&gt;     Mixed Messages: A Robbie Hardkiss Mix         (all Hardkiss/Moonshine)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;FUNKY BREAKS/WEST COAST AND FLORIDA BREAKBEAT HOUSE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The Crystal Method   "Now Is The Time" (City Of Angels)&lt;br /&gt;    Vegas (Outpost/City of Angels)&lt;br /&gt;DJ Icey    The Funky Breaks DJ mix-CD (ffrr)&lt;br /&gt;Simply Jeff    Funk-Da-Fried DJ mix-CD (City of Angels)&lt;br /&gt;DJ John Kelley    Funky Desert Breaks and Funky Desert Breaks 2 DJ mix-     CD's (Moonshine)&lt;br /&gt;Wink&lt;br /&gt;     "Higher State of Consciousness (Tweekin Acid Funk)"       (Strictly Rhythm)&lt;br /&gt;    Left Above The Clouds (XL/Nervous) &lt;br /&gt;&lt;br /&gt;Compilations   &lt;br /&gt;U.S. Homegrown&lt;br /&gt;    The American Dream Vol 2 (both City Of Angels)&lt;br /&gt;    Best of House Music: Volume 7: Funky Breaks (Sm:)e)&lt;br /&gt;     Sunshine State of Mind: A Collection of Florida       Underground Electronic Music (ffrr)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;13/ SOUNDS OF PARANOIA: TRIP HOP, TRICKY AND PRE-MILLENIUM TENSION, 1988-97&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Ancestors/DJ Records&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Depth Charge    "Depth Charge"&lt;br /&gt;    "Bounty Killers" (both Vinyl Solution)&lt;br /&gt;Meat Beat Manifesto   "Radio Babylon" (Play It Again Sam)&lt;br /&gt;    Original Fire (Nothing/Interscope anthology)&lt;br /&gt;Renegade Soundwave  RSW 1987-1995 (Mute anthology)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;BRISTOL&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Massive Attack   &lt;br /&gt;    Blue Lines (Wild Bunch/Circa)&lt;br /&gt;    Protection (Circa)&lt;br /&gt;&lt;br /&gt;Portishead    Dummy (Go Beat)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MO WAX&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;DJ Shadow    "In/Flux"&lt;br /&gt;    "Lost and Found"&lt;br /&gt;    "What Does Your Soul Look Like"&lt;br /&gt;    Endtroducing&lt;br /&gt;&lt;br /&gt;Various Artists   Royalties Overdue:The First Chapter&lt;br /&gt;    Headz &lt;br /&gt;    Headz 2A and Headz 2B &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;NINJATUNE and affiliated artists' releases on other labels&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Coldcut    Journeys By DJ  mix-CD (JDJ)&lt;br /&gt;Coldcut &amp; DJ Food Fight/DJ Krush&lt;br /&gt;    Cold Krush Cuts/Back In the Base (Ninja Tune double mix-     CD)&lt;br /&gt;Funki Porcini    Love, Pussycats &amp; Carwrecks &lt;br /&gt;DJ Vadim    USSR Repetoire (The Theory of Verticality)&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;   Flexistensialism: The Joy Of Dex&lt;br /&gt;    Funkjazzticaltricknology&lt;br /&gt;    If Ya Can't Stand Da Beatz, Git Outta Da Kitchen&lt;br /&gt;    Organised Sound (Jazz Fudge Recordings [DJ Vadim's           label)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;EAST COAST HORRORCORE HIP HOP/Wu-Tang extended family&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Genius/GZA    Liquid Swords (Geffen)&lt;br /&gt;Ghostface Killah   Ironman (Razor Sharp Records/Epic Street)&lt;br /&gt;Gravediggaz    6 Feet Deep (Gee Street)&lt;br /&gt;Method Man    Tical (Def Jam)&lt;br /&gt;Raekwon    Only Built 4 Cuban Linx... (RCA)&lt;br /&gt;Sunz of Man    "Soldiers of Darkness" (Wu-Tang Records)&lt;br /&gt;Wu-Tang Clan    Enter The Wu-Tang (36 Chambers) (Loud/RCA)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;TRICKY&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Nearly God     Nearly God (Durban Poison/Island)&lt;br /&gt;Starving Souls   "I Be The Prophet" (Durban Poison/4th &amp; Broadway)&lt;br /&gt;Tricky     "Aftermath (Hip Hop Blues)"&lt;br /&gt;    Maxinquaye (both 4th &amp; Broadway)&lt;br /&gt;    Pre-Millenium Tension (Island)&lt;br /&gt;Tricky Vs. The Gravediggaz  "The Hell E.P" (Island)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;14/ WAR IN THE JUNGLE: INTELLIGENT DRUM &amp; BASS VERSUS TECHSTEP NOT FORGETTING HARDSTEP, JUMP-UP, AND NEUROFUNK 1993-97&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;AMBIENT JUNGLE/ARTCORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Guy Called Gerald&lt;br /&gt;   "Nazinji-Zaka" &lt;br /&gt;    "Darker Than I Should Be/Gloc (Remix)"&lt;br /&gt;    Black Secret Technology (all Juice Box)&lt;br /&gt;&lt;br /&gt;Blame &amp; Justice   "Anthemia/Essence" (Moving Shadow)&lt;br /&gt;&lt;br /&gt;LTJ Bukem   "Music"&lt;br /&gt;LTJ Bukem remix of Apollo Two "Atlantis (I Need You)" (both Good Looking)&lt;br /&gt;&lt;br /&gt;E-Z Rollers &lt;br /&gt;   "Rolled Into One/Believe" (Moving Shadow)&lt;br /&gt;    "Believe (Foul Play Remix)" (Moving Shadow)&lt;br /&gt;&lt;br /&gt;F.B.D. Project   "Gesture Without Motion" on "Enforcers 6" (Reinforced)&lt;br /&gt;&lt;br /&gt;4 Hero     Parallel Universe (Reinforced)&lt;br /&gt;&lt;br /&gt;Foul Play    "Vol 3: Open Your Mind" &lt;br /&gt;     "Open Your Mind (Foul Play Remix)"       "Vol 4: Being With You" &lt;br /&gt;    "Being With You (Foul Play Remix)" (all Moving Shadow)&lt;br /&gt;&lt;br /&gt;Goldie     Timeless (ffrr)&lt;br /&gt;Metalheads [Goldie]  "Angel" (Synthetic Hardcore Phonography)&lt;br /&gt;&lt;br /&gt;Jamie Myserson   "Find Yourself" on "Enforcers 6" (Reinforced)&lt;br /&gt;&lt;br /&gt;Omni Trio   "Vol 2: Mystic Stepper (Feel Good)"&lt;br /&gt;     "Mystic Stepper (Feel Better) (Foul Play Remix)"&lt;br /&gt;    "Vol 3: Renegade Snares"&lt;br /&gt;    "Renegade Snares (Foul Play Remix)"&lt;br /&gt;   - "Vol 4: Rollin' Heights/Thru The Vibe/Original Soundtrack"&lt;br /&gt;    "Vol 5: Soul Promenade"&lt;br /&gt;    Vol 1: The Deepest Cut (all Moving Shadow)&lt;br /&gt;    Music For The Next Millenium (Sm:)e)&lt;br /&gt;&lt;br /&gt;Plasmic Life   "Vol 1: Water Baby" (Brain Records)&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;   Routes From The Jungle: Escape Velocity Volume 1        (Circa)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;INTELLIGENT DRUM &amp; BASS/FUSIN JUNGLE/JAZZSTEP/LIQUID FUNK&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Adam F    "Circles" (Section 5)&lt;br /&gt;Blame &amp; Justice   "Nocturnal/Nightvision" (Moving Shadow)&lt;br /&gt;LTJ Bukem    "Horizons" (Looking Good)&lt;br /&gt;Da Intalex   "What Ya Gonna Do" (Flex)&lt;br /&gt;D'Cruze    "Lonely" (Suburban Base)&lt;br /&gt;Hidden Agenda   "Is It Love?" (Metalheadz)&lt;br /&gt;Jacob's Optical Stairway &lt;br /&gt; [4 Hero]   Jacob's Optical Stairway (R&amp;S)&lt;br /&gt;PFM     "One &amp; Only" (Looking Good)&lt;br /&gt;Photek   &lt;br /&gt;    "Form &amp; Function Vol 2" (Photek)&lt;br /&gt;    "The Water Margin" (Photek)&lt;br /&gt;&lt;br /&gt;Alex Reece    "Basic Principles/Fresh Jive" &lt;br /&gt;    "Pulp Fiction" (both Metalheadz)&lt;br /&gt;&lt;br /&gt;Spring Heel Jack   "The Sea Lettuce" &lt;br /&gt;     There Are Strings (both Rough Trade)&lt;br /&gt;    68 Million Shades (Trade 2/Island)&lt;br /&gt;&lt;br /&gt;Tek 9    "Slow Down (Nookie Remix)" on "Enforcers 8       (Reinforced)&lt;br /&gt;&lt;br /&gt;Dave Wallace    "Expressions" &lt;br /&gt;    "Waves" (both Moving Shadow)&lt;br /&gt;&lt;br /&gt;Compilations   &lt;br /&gt;LTJ Bukem Presents: Logical Progression (Good       Looking/Looking Good/ffrr)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MINIMALIST DRUM &amp; BASS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Amazon II (Aphrodite)  "Big Boo Yaa" (Aphrodite)&lt;br /&gt;Danny Breaks  &lt;br /&gt;  "Droppin' Science Vol 2"&lt;br /&gt;    "Droppin' Science Vol 3: Firing Line"&lt;br /&gt;(Breaks remix of Safari Sounds) &lt;br /&gt;"Droppin' Science Vol 4: Long Time Comin'"     &lt;br /&gt;"Droppin' Science Vol 5: Step Off" (all Droppin' Science)&lt;br /&gt;&lt;br /&gt;DJ Die &amp; Roni Size   "11.55" (Full Cycle)&lt;br /&gt;&lt;br /&gt;Dillinja    "Sovereign Melody" (Deadly Vinyl)&lt;br /&gt;    "Deep Love Remix" &lt;br /&gt;    "You Don't Know/Warrior" (both Logic)&lt;br /&gt;    "The Angels Fell" EP (Metalheadz)&lt;br /&gt;    "Muthafucka/Sky" (Phillly Blunt)&lt;br /&gt;Dillinja with Bert  "Lionheart" (Deadly Vinyl)&lt;br /&gt;&lt;br /&gt;88-3 feat Lisa May   "Wishing On A Star (Urban Shakedown Dub Mix) (Urban      Gorilla)&lt;br /&gt;&lt;br /&gt;DJ Krust    "Set Speed"  ( V)&lt;br /&gt;&lt;br /&gt;MA2 (DJ SS)    "Hearing Is Believing Remix" (Formation)&lt;br /&gt;&lt;br /&gt;NC &amp; Asend   "Take Your Soul" (Second Movement)&lt;br /&gt;&lt;br /&gt;Northern Connection   "The Bounce" (Back 2 Basics)&lt;br /&gt;&lt;br /&gt;Roni Size &amp; DJ Die  "Music Box" (Full Cycle)&lt;br /&gt;Roni Size   "Timestretch/Phizical" (V)&lt;br /&gt;    "Dayz" (V)&lt;br /&gt;Roni Size/Reprazent   "Share The Fall (Grooverider's jeep style mix)/New Forms      (Roni Size Remix)" (Mercury)&lt;br /&gt;    New Forms (Mercury)&lt;br /&gt;&lt;br /&gt;DJ SS     "United (Grooverider Remix)/Rollidge" from "The Rollers      Convention EP Part 3" (Formation)&lt;br /&gt;&lt;br /&gt;Tek 9     "We Bring Anybody Down" (Reinforced)&lt;br /&gt;&lt;br /&gt;Compilations   &lt;br /&gt;DJs Unite Vol 2 (Rogue Trooper/Death Becomes Me)&lt;br /&gt;    Music Box (Full Cycle)&lt;br /&gt;    Highly Recommended (Formation)&lt;br /&gt;    V Classic (V)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;JUMP UP/GANGSTA HARDSTEP/RINSERS AND ROLLERS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;B-Jam     "Funkula (DJ Hype Remix)" (No Smoking)&lt;br /&gt;Blackman    "Bastard" (Redlight)&lt;br /&gt;Gang Related/Mask   "Ready Or Not" (Dope Dragon)&lt;br /&gt;H.M.P [Pascal]  "Runnin's" (Frontline)&lt;br /&gt;Joker     "Raw Dogs Relik" (Suburban Base)&lt;br /&gt;Keen     "The Battle Frontier"  on "Keen Remixes" (Formation)&lt;br /&gt;L Double &amp; Shy FX   "The Shit" (Flex)&lt;br /&gt;Origin Unknown [Andy C] "Truly One" (Ram)&lt;br /&gt;Remarc    "RIP (DJ Hype Remix)" (Suburban Base)&lt;br /&gt;Shy FX    "The Wolf" on Shy FX Presents THE FORMULA (Ebony)&lt;br /&gt;Soul Jah    "21212" (Hard Leaders)&lt;br /&gt;Splash     "Babylon" (Dee Jay Recordings)&lt;br /&gt;Swift     "Jus' Roll (VIP Remix)" (Intalektive)&lt;br /&gt;The Terradome   "Soldier" (Dope Dragon)&lt;br /&gt;DJ Zinc    "Super Sharp Shooter" (Ganja)&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;   Pure Rollers (Breakdown)&lt;br /&gt;    Still Smokin' (Ganja/Frontline)&lt;br /&gt;     Drum &amp; Bass Selection 3 and Selection 5 (Breakdown)&lt;br /&gt;    The Speed of Sound (Ram)&lt;br /&gt;    &lt;br /&gt;&lt;strong&gt;TECHSTEP AND NEUROFUNK&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Boymerang    "Still" (Prototype)&lt;br /&gt;Codename John [Grooverider]  "The Warning" (Metalheadz) &lt;br /&gt;Dom &amp; Roland   "The Planets/Dynamics" (Moving Shadow) &lt;br /&gt;&lt;br /&gt;Ed Rush&lt;br /&gt;   "Force Is Electric/Gangsta Hardstep"&lt;br /&gt;    "Guncheck/Force Is Electric Remix"&lt;br /&gt;    "Mothership/Defect"&lt;br /&gt;Ed Rush/Nico    "Sector/Comatone"&lt;br /&gt;Ed Rush/Trace/Nico   "Mad Different Methods/The Droid"&lt;br /&gt;     (all No U Turn)&lt;br /&gt;&lt;br /&gt;E-Sassin    "The Enemy" (Sound Sphere Recordings)&lt;br /&gt;Adam F    "Metropolis" (Metalheadz)&lt;br /&gt;Jonny L   "Obedience/Piper (Grooverider Remix)" (XL)&lt;br /&gt;&lt;br /&gt;Krust    "Genetic Manipulation"&lt;br /&gt;    "Soul In Motion" (both Full Cycle)&lt;br /&gt;&lt;br /&gt;Nasty Habits [Doc Scott]  "Shadow Boxing" (31 Records)&lt;br /&gt;&lt;br /&gt;Photek    &lt;br /&gt;"The Hidden Camera" (Science; Astralwerks)&lt;br /&gt;    "Ni Ten Ichi Ryu" (Science)&lt;br /&gt;    "Still Life" [remix of Goldie track] (Razor's Edge)&lt;br /&gt;    Modus Operandi (Science/Astralwerks)&lt;br /&gt;&lt;br /&gt;Procedure 769   "Lethal Dosage" (Reinforced)&lt;br /&gt;&lt;br /&gt;Rollers Instinct  "The Mutant Remix" [remix of T-Power's "Horny Mutant       Jazz"] (SOUR)&lt;br /&gt;&lt;br /&gt;Doc Scott    "Drumz 95 (Nasty Habits Remix)" (Metalheadz)&lt;br /&gt;&lt;br /&gt;Source Direct    "Snake Style" (Source Direct)&lt;br /&gt;    "A Made Up Sound/The Cult" (Metalheadz)&lt;br /&gt;    Controlled Developments (Science/Astralwerks)&lt;br /&gt;&lt;br /&gt;DJ Trace   "Lost Entity Remix/Jazz Primitives" (Lucky Spin)&lt;br /&gt;    "Mutant Revisited" (Emotif)&lt;br /&gt;Trace/Nico    "Amtrak/Squadron" (No U Turn)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Compilations &lt;/strong&gt;&lt;br /&gt;  Torque (No U Turn)&lt;br /&gt;    Techsteppin' (Emotif)&lt;br /&gt;    Grooverider Presents: The Prototype Years        (Prototype/Sony)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;16/  FUCK DANCE, LET'S ART : THE POST-RAVE EXPERIMENTAL FRINGE, AKA IDM, &lt;br /&gt;1994-97&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Miscellaneous Art-Tekno aka IDM&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;AFX     "Hangable Auto Bulb EP" and "EP 2" (Warp)&lt;br /&gt;Aphex Twin    "Girl/Boy EP" &lt;br /&gt;    Richard D.James Album (both Warp)&lt;br /&gt;&lt;br /&gt;Bedouin Ascent   Science, Art and Ritual (Rising High)&lt;br /&gt;    Music For Particles (Rising High)&lt;br /&gt;&lt;br /&gt;Doctor Rockit    "Ready To Rockit EP"&lt;br /&gt;     The Music of Sound (Clear)&lt;br /&gt;&lt;br /&gt;µ-Ziq     Tango N 'Vectif &lt;br /&gt;    Bluff Limbo (both Rephlex)&lt;br /&gt;    Lunatic Harness (all Planet µ-Ziq/Hi-Rise/Astralwerks)  &lt;br /&gt;&lt;br /&gt;The Sidewinder   Colonized (Mille Plateaux)&lt;br /&gt; [Techno Animal]&lt;br /&gt;&lt;br /&gt;Squarepusher    Feed Me Weird Things (Rephlex)&lt;br /&gt;    "Port Rhombus"&lt;br /&gt;    Hard Normal Daddy  (all Warp)&lt;br /&gt;&lt;br /&gt;Techno Animal   Re-Entry (Virgin)&lt;br /&gt;&lt;br /&gt;David Toop    Screen Ceremonies (The Wire Editions)&lt;br /&gt;    Pink Noir (Virgin) &lt;br /&gt;&lt;br /&gt;Compilations   Electro Juice (Sabotage)&lt;br /&gt;    Lo Recordings VOL 2: Collaborations &lt;br /&gt;      (Lo Recordings) &lt;br /&gt;    Invisible Soundtracks (Leaf)&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;LUKE VIBERT and his alter-egos&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Plug 1     "Visible Crater Funk&lt;br /&gt;Plug 2     "Rebuilt Kev" (both Rising High)&lt;br /&gt;Plug     Drum'n'Bass For Papa (Blue Angel Records; Nothing)&lt;br /&gt;Luke Vibert    Big Soup (Mo Wax/ffrr)&lt;br /&gt;Wagon Christ    Throbbing Pouch&lt;br /&gt;    "Rissalecki EP" &lt;br /&gt;    "Redone EP" (all Rising High)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MOUSE ON MARS&lt;/strong&gt;&lt;br /&gt;    Vulvaland&lt;br /&gt;    Iahora Tahiti (both Too Pure)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;MILLE PLATEAUX and its sister labels Force Inc and Riot Beats&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Biochip C    "Hell's Bells EP" (Force Inc, 1992)&lt;br /&gt;Christophe Charles   Undirected 1986-1996 &lt;br /&gt;Gas     Gas &lt;br /&gt;&lt;br /&gt;Microstoria    Init Ding (Mille Plateaux; Thrill Jockey)&lt;br /&gt;    _snd (Mille Plateaux; Thrill Jockey)&lt;br /&gt;&lt;br /&gt;Oval     Systemisch (Mille Plateaux/Thrill Jockey)&lt;br /&gt;    94 Diskont (Mille Plateaux/Thrill Jockey)&lt;br /&gt;&lt;br /&gt;Cristian Vogel   Beginning To Understand &lt;br /&gt;    Specific Momentific&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Compilations&lt;/strong&gt;&lt;br /&gt;   In Memoriam Gilles Deleuze &lt;br /&gt;    Modulations &amp; Transformation II &lt;br /&gt;    Rauschen 3  to 10 (Force Inc)&lt;br /&gt;    Electric Ladyland I to IV  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;ALEC EMPIRE/DIGITAL HARDCORE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Atari Teenage Riot  Burn Berlin Burn (DHR/Grand Royal)&lt;br /&gt;&lt;br /&gt;EC8OR    EC80R (DHR)&lt;br /&gt;    All of Us Can Be Rich (DHR/Grand Royal)&lt;br /&gt;&lt;br /&gt;Alec Empire   &lt;br /&gt;    Generation Star Wars&lt;br /&gt;    Limited Editions 1990-94 &lt;br /&gt;    Low On Ice (The Iceland Sessions)&lt;br /&gt;    Hypermodern Jazz 2000.5 &lt;br /&gt;     (all Mille Plateaux)&lt;br /&gt;    The Destroyer (DHR)&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;   Rough and Fast (Riot Beats)&lt;br /&gt;   Harder Than The Rest!!! (DHR)&lt;br /&gt;   Chapter 1: Noise and Politics (Capitol Noise)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;DJ SPOOKY/ILLBIENT&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Byzar     Gaiatronyk vs The Cheap Robots &lt;br /&gt;&lt;br /&gt;DJ Spooky&lt;br /&gt;    Songs of A Dead Dreamer &lt;br /&gt;    Viral Sonata &lt;br /&gt;&lt;br /&gt;Sub Dub    Dancehall Malfunction &lt;br /&gt;&lt;br /&gt;We     As Is &lt;br /&gt;     (all Asphodel)&lt;br /&gt;&lt;br /&gt;Various Artists--Valis 1: Destruction of Syntax (Subharmonic)&lt;br /&gt; --Incursions In Illbient (Asphodel)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;OUTRO: NINETIES HOUSE AND BIG BEAT, 1990-97 &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;PROGRESSIVE HOUSE and ALBUM-ORIENTED HOUSE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Faithless    Reverence (Cheeky)&lt;br /&gt;Jaydee     "Plastic Dreams" (R&amp;S)&lt;br /&gt;&lt;br /&gt;Leftfield  &lt;br /&gt;  "Not Forgotten (Outer Rhythm)&lt;br /&gt;    "Release The Pressure" (Hard Hands)&lt;br /&gt;    Leftism (Hard Hards/Columbia)&lt;br /&gt;&lt;br /&gt;Lionrock    "A Packet Of Peace"&lt;br /&gt;    An Instinct For Detection (both Deconstruction/BMG)&lt;br /&gt;&lt;br /&gt;The Pied Piper     "Kinetic (The Orbital Mixes)" (Absolute 2)&lt;br /&gt;&lt;br /&gt;Underworld &lt;br /&gt;   "Rez "&lt;br /&gt;    Dubnobasswithmyheadman (both Junior Boy's Own)&lt;br /&gt;    "Born Slippy NUXX" (Wax Trax/TVT)&lt;br /&gt;    Second Toughest In The Infants (Wax Trax/TVT)&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;   Guerilla In Dub (Guerrila)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;HARDBAG, NU-NRG, EPIC HOUSE, TECH-HOUSE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;BT     Ima (Perfecto/Kinetic/Reprise)&lt;br /&gt;Faze Action   Plans &amp; Designs (Nuphonic)&lt;br /&gt;Felix     "Don't You Want Me" (Deconstruction)&lt;br /&gt;Robert Miles    Children (Deconstruction/Arista)&lt;br /&gt;Way Out West   "The Gift" (Deconstruction)&lt;br /&gt;&lt;br /&gt;Compilations   &lt;br /&gt;    Electronic Warfare (Plink Plonk)&lt;br /&gt;       Junior Boys Own  Collection (Junior Boy's Own)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;THE FUTURE SOUND OF CHICAGO: RELIEF AND CAJUAL&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Gene Farris    "Farris Wheel" (Relief)&lt;br /&gt;    The Fruity Green (Force Inc)&lt;br /&gt;&lt;br /&gt;Green Velvet   "I Want To Leave My Body/Flash" on "Portamento Tracks" &lt;br /&gt;     "Flash Remixes" double-12 (both Relief)&lt;br /&gt;    "The Stalker (I'm Losing My Mind)/Help Me" (Relief/Yeti)&lt;br /&gt;    "Destination Unknown EP" (Relief)&lt;br /&gt;&lt;br /&gt;DJ Rush    Doing It To Death (Force Inc)&lt;br /&gt;&lt;br /&gt;Compilations&lt;br /&gt;   The Future Sound Of Chicago (Cajual/Relief/Ministry of           Sound)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;US HOUSE AUTEUR-PRODUCERS AND MIX-CDS&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Bucketheads   "The Bomb EP" (Strictly Rhythm)&lt;br /&gt;De' Lacy    "Hideaway (Deep Dish Remix)" (Deconstruction)&lt;br /&gt;Deep Dish Artists  Penetrate Deeper (Deep Dish/Tribal UK)&lt;br /&gt;Funky Green Dogs   Get Fired Up (Murk/Twisted)&lt;br /&gt;Masters At Work   Masterworks: The Essential Kenlou House Mixes       (Harmless)&lt;br /&gt;Murk     The Singles Collection (Tribal America/IRS)&lt;br /&gt;&lt;br /&gt;Armand Van Helden   "The Funk Phenomena" (Henry Street/ZYX Music)&lt;br /&gt;    "Professional Widow" (remix of Tori Amos) (Atlantic)&lt;br /&gt;    Greatest Hits (Strictly Rhythm)&lt;br /&gt;&lt;br /&gt;Compilations   &lt;br /&gt;Collective Sounds of Prescription (Prescription)&lt;br /&gt;Jazz in the House (Slip &amp; Slide)&lt;br /&gt;Hard Times [Roger Sanchez mix-CD]     (Narcotic/Hard Times)&lt;br /&gt;    &lt;br /&gt;&lt;strong&gt;DAFT PUNK &lt;/strong&gt;  &lt;br /&gt;"Da Funk/Musique" (Virgin)&lt;br /&gt;Homework (Virgin)&lt;br /&gt;"Disco Cubizm" (Remix of I: Cube) (Versatile)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SPEED GARAGE&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Baffled Republic, "Bad Boys Move in Silence" (One step/catch)&lt;br /&gt;&lt;br /&gt;Da Stylus, "Crazy" (Mecca)&lt;br /&gt;&lt;br /&gt;Double 99    "RIPGroove" (Satellite Recordings)&lt;br /&gt;--- "Jump" (Ice Cream)&lt;br /&gt;&lt;br /&gt;Todd Edwards--"Push the Love" (i! Records)&lt;br /&gt;-- remixes of Saint Germain's "Alabama Blues"&lt;br /&gt;-- "Never Far From You" (i! Records)&lt;br /&gt;&lt;br /&gt;Fabulous Baker Boys -- "Oh Boy" (Multiply)&lt;br /&gt;&lt;br /&gt;Gant -- "Sound Bwoy Burial (187 Lockdown Dancehall Mix)"/All Night Long" (Positiva)&lt;br /&gt;&lt;br /&gt;Scott Garcia feat MC Styles, "It's a London Thing" (Connected)&lt;br /&gt;&lt;br /&gt;KMA, "Cape Fear" (KMA)&lt;br /&gt;---"Kaotic Madness" (KMA)&lt;br /&gt;--- Recon Mission EP (Locked On)&lt;br /&gt;&lt;br /&gt;Lady Penelope &amp; Abstrac, "Deeper (Part 2) (Emita Sounds)&lt;br /&gt;&lt;br /&gt;Tina Moore, "Never Gonna Let You Go (Kelly G Remix)"&lt;br /&gt;&lt;br /&gt;187 Lockdown, "Gunman" (EastWestDance)&lt;br /&gt;&lt;br /&gt;Ramsey &amp; Fen, "Underground Explosion" (on The Off-Key Experience EP) (Very Important Plastic)&lt;br /&gt;-- "Love Bug" (bug records)&lt;br /&gt;&lt;br /&gt;Soundscape, "Dubplate Culture" (Satellite)&lt;br /&gt;&lt;br /&gt;Strictly Dubz IV, "Small Step (London Dubz)" (Nice 'n' Ripe)&lt;br /&gt;&lt;br /&gt;Underground Distortion, "Everything Is Large" (Satellite)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Speed Garage Compilations&lt;/strong&gt;   &lt;br /&gt;&lt;br /&gt;Tuff Jams Presents: Underground Frequences Vol 1&lt;br /&gt;     (Satellite)&lt;br /&gt;The London Dream Team in Session (4 Liberty)&lt;br /&gt;EZ of Freek FM Presents: Underground Garage Flavas (Breakdown)&lt;br /&gt;187 Lockdown Presents... Sunday Flavaz Volume One (Logic)&lt;br /&gt;Uptempo--The Sound of Speed Garage (Death Becomes Me)&lt;br /&gt;Tuff James Vol. 1 (Ultra)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;CHEMICAL BROTHERS AND BIG BEAT&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Beachcomas -- Expletive Deletive / It's Eggyplectic (Bolshi)&lt;br /&gt;-- Planet Thanet (Bolshi)&lt;br /&gt;-- The Big Tuddy Sessions (Bolshi)&lt;br /&gt;&lt;br /&gt;Bentley Rhythm Ace -- "Return of the Carbootechnodiscohardcore Jumble Roadshow" on Late Train 2 Bentley On C EP) (Skint)&lt;br /&gt;-- &lt;em&gt;Bentley Rhythm Ace &lt;/em&gt;(Skint; Astralwerks)&lt;br /&gt;&lt;br /&gt;Chemical Brothers  Exit Planet Dust &lt;br /&gt;    "Loops of Fury" &lt;br /&gt;    "Setting Sun" &lt;br /&gt;    &lt;em&gt;Dig Your Own Hole&lt;/em&gt; (all Junior Boy's Own/Astralwerks)&lt;br /&gt;&lt;br /&gt;Cornershop, "Brimful of Asha (Norman Coook Remix extended version) (Beggars Banquet)&lt;br /&gt;&lt;br /&gt;Environmental Science, "The Day the Zak Stood Still Part 2/Killa rooster" (Fused and Bruised)&lt;br /&gt;&lt;br /&gt;Fatboy Slim    Better Living Through Chemistry (Skint; Astralwerks)&lt;br /&gt; "Everyboyd Needs a 303/Everybody Loves a filter" (Astralwerks)&lt;br /&gt;"Rockerfeller Skank" (Skint/Astralwerks)&lt;br /&gt;You've Come A Long Way Baby (Skint/Astralwerks)&lt;br /&gt;&lt;br /&gt;Lionrock, "Rude Boy Rock" (Concrete)&lt;br /&gt;&lt;br /&gt;Lo-Fidelity Allstars, How To Operate With A Blown Mind (Skint)&lt;br /&gt;&lt;br /&gt;Monkey Mafia, Shoot the Boss (Heavenly)&lt;br /&gt;&lt;br /&gt;Jean-Jacques Perrey, "E.V.A. (Fatboy Slim Remix)" (Vanguard)&lt;br /&gt;&lt;br /&gt;Rasmus, "Mass Hysteria" EP (Bolshi)&lt;br /&gt;"Motherfuckin' Beats" (Bolshi)&lt;br /&gt;&lt;br /&gt;Req, One (Skint)&lt;br /&gt;-- Frequency Jams (Skint)&lt;br /&gt;&lt;br /&gt;Various, "Donuts #2 Album Sampler EP (Bolshi)&lt;br /&gt;&lt;br /&gt;Wildchild, "Renegade master 98 (Fatboy Slim Old skool mix)" (hi-life)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Big Beat Compilations&lt;/strong&gt;   &lt;br /&gt;&lt;br /&gt;Brassic Beats Volume One and Volume Two (Skint)&lt;br /&gt;Brassic Beats Volume 3 (Skint/Sony)&lt;br /&gt;Donuts (Bolshi)&lt;br /&gt;Live At The Social Volume 1 and Volume 2 (Heavenly)&lt;br /&gt;Used and Abused (fused and bruised)&lt;br /&gt;Nu skool Breakz (kickin)&lt;br /&gt;Back 2 Mono (Wall of sound)&lt;br /&gt;Wall of sound - the Second XI (Wall of Sound)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/5662982887371686287-2491082172730968164?l=energyflashdiscogbibliog.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://energyflashdiscogbibliog.blogspot.com/feeds/2491082172730968164/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=5662982887371686287&amp;postID=2491082172730968164' title='4 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/5662982887371686287/posts/default/2491082172730968164'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/5662982887371686287/posts/default/2491082172730968164'/><link rel='alternate' type='text/html' href='http://energyflashdiscogbibliog.blogspot.com/2008/02/expandedupdated-2008-edition-of-energy.html' title=''/><author><name>SIMON REYNOLDS</name><uri>http://www.blogger.com/profile/01282478701882900354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>4</thr:total></entry></feed>
